Recently, Howard Community College’s In The Spotlight TV show spent some time learning about HoCoPoLitSo. Check out what they discovered in this short segment.
A Word of Difference: Rita Dove and Joshua Coyne Celebrate History and Creativity
Wednesday, October 22, 2014 • 7:30 p.m.
Monteabaro Recital Hall
Howard Community College
In celebration of HoCoPoLitSo’s 40th year, former National Poet Laureate Rita Dove will read from her acclaimed most-recent book of poems, Sonata Mulattica, about historical Afro-European violinist George Bridgetower. Violin virtuoso Joshua Coyne will play original music inspired by literature. Coyne’s story as a young African-American classical musician is juxtaposed with Bridgetower’s in the upcoming documentary film Sonata Mulattica, which also features Dove.
Extended scenes from the film will premiere at the event, followed by a discussion with Dove, Coyne, and the film’s creators.
The book Sonata Mulattica has been described by the American Library Association as “a mischievous and sensuous cycle of linked poems that explores genius and power, class and race.”
Presented in partnership with Candlelight Concert Society, Columbia Film Society, the Howard Community College Music Department, and the Columbia (MD) Alumnae Chapter of the Delta Sigma Theta Sorority.
Register HERE for this free event.
Howard County Poetry & Literature Society (HoCoPoLitSo), in partnership with the Columbia Festival of the Arts, presents the Katia D. Ulysse Book Preview with a reading and pre-release book sale and signing on Wednesday, June 25, 2014, at 7:30 p.m. at Monteabaro Hall in the Horowitz Arts Center at Howard Community College. The event is part of the annual Columbia Festival of the Arts; tickets to the event are $15, and available at the festival’s web site at www.columbiafestival.org/tickets.
Katia D. Ulysse is an intense new voice from Baltimore whose debut novel, Drifting, will be released in July. A recently discovered talent, Ulysse was invited by National Book Award-winning novelist Edwidge Danticat to be included in her Haiti Noir anthology. A lyrical novel, Drifting explores the lives of Haitian families aspiring to escape hardship and an earthquake’s devastation. The novel is set before, during, and after the catastrophic 2010 earthquake in Haiti and takes readers from Haiti to the United States and back.
“Drifting is a remarkable debut by a phenomenal writer,” writes Danticat, who is also the acclaimed author of the 2013 release Claire of the Sea Light. “[T]his sublime and powerful book allows us to experience the joys and tragedies of ordinary and extraordinary lives, in small neighborhoods and big cities, in the present and the past. Katia D. Ulysse’s talent soarshigher and higher to expand both our hearts and our universe.” (more…)
It’s not often that Columbia hosts a national poet laureate. And even less frequently can we listen to a poet laureate whose publishing contract ran to six figures with Random House. Turns out, that’s not an oxymoron. It’s a Billy Collins.
On April 24, at the Blackbird Poetry Festival, HoCoPoLitSo brought to Columbia a writer who passes for a rock star in the poetry world. Collins, “the most popular poet in America,” according to the New York Times, drew groupies from as far away as Philadelphia and western Maryland. Collins read in the afternoon with students, and at an evening reading, thanks to a partnership with Howard Community College’s student life office, and humanities and English divisions.
As co-president of the HoCoPoLitSo board Tara Hart said in her introduction, Collins has brought poetry to the people, “down from the shelves and out of the shadows.”
But Collins says he doesn’t sit down at his desk and decide, hmm, today, I think I’m going to write a poem that will bring poetry out of the shadows. Instead, he says, “I’m just trying to write a good poem.”
He’s always thinking about the reader, he says, and alternating his attention between the reader and the poet. To that end, he opened his reading with “You, Reader.” His voice, particularly well-suited to his dry wit, is without affect, so it also worked with his poems that were more reflective, even sad, like the canine soliloquy, “The Dog on his Master.” (more…)
HoCoPoLitSo’s Irish Evening of Music and Poetry was even more of a family affair than usual this year. Normally an occasion that parents and adult children (and occasionally a third generation) attend in their Irish wool and finest green, this year’s Irish Evening featured two poets who themselves are family.
Paula Meehan and Theo Dorgan have been poetry and life partners for decades. And from the stage on March 14, they talked about kindred, a word they used for Seamus Heaney, a huge presence of a poet who died August 2013 and who is being mourned throughout the literary world.
“Everyone feels like they’ve lost a member of their own family,” Meehan told Dorgan during that afternoon’s taping of The Writing Life, HoCoPoLitSo’s writer-to-writer interview show.
From Heaney to sassy Irish grandmothers to uprising revolutionaries, family was called up throughout the evening reading.
Dorgan started off reading “Speaking to My Father,” about his hard-working patriarch and what he must have thought about Dorgan’s labors as a poet: “I move the words as you moved the heavy tires./ I make the poems like you and Rose made children,/ Blindly, because I must.” (more…)
Contact: Pam Kroll Simonson, (443) 518-4568, firstname.lastname@example.org
FOR IMMEDIATE RELEASE
Howard County Poetry & Literature Society (HoCoPoLitSo), in partnership with Howard Community College’s Office of Student Life, English/World Languages Division, and Arts & Humanities Division, presents the annual Blackbird Poetry Festival from Monday, April 21 to Thursday, April 24, 2014, at Howard Community College (HCC). For the first time, this year’s festival opens with a four-day Poetry Film Festival featuring showings of five acclaimed films. The last day of the film festival coincides with a full day of Blackbird Festival events, including readings by two-term National Poet Laureate Billy Collins, called “the most popular poet in America” by The New York Times; workshops for HCC students by Bruce George, poet and co-founder of HBO’s Def Poetry Jam; readings by student poets from HCC; and on-campus patrols by the Poetry Police, who will award individuals carrying a poem in recognition of national Poem-in-Your-Pocket Day. The theme of this year’s Blackbird Poetry Festival is “Poetry Unmasked,” exploring the bare truths of poetry. (more…)
Events come and go. Audiences come and go. Sometimes we wonder how we are doing, if are reaching people, providing enough to help grow the world’s literary heritage person by person. This season, we received the following letter. How humbled and grateful we are.
A thousand gratitudes have flown through my mind and I am sure that the count will grow further as the events of the day really sink in.
I get out so little that I have to select very carefully my activities beyond work and medical appointments. That you have all taken the steps to include me, to be kind toward me, and to be well yourselves around me, speaks much to the ways in which simply being our best possible selves can help others be well also.
It’s not that I felt treated more specially than anyone else, but that I felt treated as specially as everyone else. It is so easy to feel different, exotic, unusual, especially with all the luggage I carry just to get through a day that it can be off-putting for me to feel like I must explain myself just to be among others. On top of that, another attendee complimented my “entourage,” that is, my friend, Jeffrey, and the interpreters, who accompanied me through the event so I could get through.
You can tell that many of my go-to sentences about my health are well rehearsed because the social stickiness of navigating life with multiple disabilities [Ehlers-Danlos Syndrome, Dysautonomia, and hearing loss] gets to be old hat somewhere around the bazllionth iteration. All of this is pretty old hat for you because you are sensitive individuals with a clear idea of what it means to be aware of how we treat people, but it’s always nice to hear that our efforts and ways of being matter. It means more when we are in those life spaces where we question ourselves, when self-assuredness is particularly thin. Save this note for that moment. If it’s not enough, call me, I’ll make more. (more…)
The latest installment in our occasional series of blog posts from friends of HoCoPoLitSo. Today, the acting chair of Howard Community College’s Music Department, Hsien-Ann Meng, encourages all to see Stuart Isacoff this Friday.
I would like to invite you to a special event taking place this Friday, February 21, at 2 pm in the Smith Theatre on the campus of Howard Community College.
Stuart Isacoff, a wonderful pianist, celebrated writer of music, and the author of Temperament: How Music Became a Battleground for the Great Minds of Western Civilization, will be here to tell the intricate story of how modern musical tuning came about. He will also demonstrate through a reworked Beethoven piano sonata how central the modern tuning system (equal-temperament) is for us to enjoy the master piano works of the 18th and 19th centuries.
However, the road to equal-temperament was not a simple one. Isacoff has woven together a beautiful narrative that traces the development of the tuning system in the context of teachings and beliefs of the church, parallel developments in art and science, and the political plays between different power groups throughout history. Whether you are a music lover or a lover of arts and science, there will be lots to take away from this event.
This event is free and open to the public. After the lecture demonstration, Anne Midgette, the classical music critic for The Washington Post will join Stuart Isacoff on stage to conduct a Q&A session. A book signing and reception will take place in the Rouse Art Gallery and Horowitz Center Lobby following the Q&A. This event is co-presented by Candlelight Concert Society, Howard Community College Concert Series, and Howard County Poetry & Literature Society.
Acting Chair, HCC Music Department
With the winter that has been upon us, a warm, spirited evening is what we seem to need and you’ll have just that this year on March 14th, HoCoPoLitSo’s 36th Annual Irish Evening.
You who love literature, music, and art are invited to hear the beautiful cadences of not only one but two wonderful Irish poets Paula Meehan (Ireland’s Professor of Poetry) and Theo Dorgan (O’Shaughnessy Prize, BBC Radio) as they read their work and pay tribute to the late great Seamus Heaney, followed by the incomparable Irish music of Narrowbacks, featuring All-Ireland fiddle great Brendan Mulvihill, and fabulous stepdancing by members of the Culkin School. Did I mention the profusion of Irish coffees, signature drink “Jameson Ginger,” and scones?
HoCoPoLitSo relies on proceeds from this annual fundraiser to create live literary programs throughout the year, so in buying tickets, you are not only giving yourself the gift of a fun and elevating evening but investing in the 2014 arts and culture calendar of Howard County.
Friday, March 14, 2014, 7:30 PM
I had moved to Pittsfield, MA to work as a computer programmer programming the missile fire control system aboard the US nuclear submarine fleets Polaris and Poseidon. So, the summer of ’67 I watched the Newark uprisings on television and witnessed neighborhoods on fire, the very same streets I had frequented while I lived there. I felt guilty for having left Newark, thinking that if I had stayed I might have been in a position to make a difference. I was only a teacher with a history of activism with the Essex County CORE and the Rutgers branch of the NAACP. Still, I might have been able to do something.
In November of ’67 I did return to Newark and, thus, began my long association with Amiri Baraka. That association included my membership in the Congress of African Peoples, community organizing to help elect Newark’s first black mayor, Ken Gibson, the presidency of the United Community Corporation, New Jersey’s largest anti-poverty agency, membership in the New Jersey delegation to The National Black Political Convention in Gary in 1972 and my candidacy twice for public office.
When moved to Maryland in 1974, I carried with me a love of poetry that Baraka had helped me cultivate. Soon after, I began attending poetry readings sponsored by HoCoPoLitSo. That led to my joining the board and eventually doing ten-year stint as chairman. In 1990, we invited Baraka to read one weekend. He was joined by Jonathan Yardley and Patricia Hempl to talk about memoir on a Friday and to read his poetry on Saturday. That Monday, he read for 500 high school students at Wilde Lake High School in Columbia.
In 1998, HoCoPoLitSo sponsored Baraka to read at the Baltimore Book Festival. But he had also been booked to read at the Dodge Poetry Festival in New Jersey that same weekend. We found out the day of the book festival that it would be impossible for him to catch a flight or drive to get to Baltimore in time for his reading.
Seeing my anxiety over the situation, my wife, Sandy, suggested that she might be able to find a plane to fly Baraka from Newark to a private airport in Maryland. Always resourceful, she did just that. Using the yellow pages, under charter flights, she found a man with a plane, explained the situation, and negotiated a price. I don’t recall how we got all this done without cell phones!
I waited for over an hour at a small private airport somewhere in northwest Maryland. Finally, a small four-seater, single engine airplane appeared in the sky and began its descent. A door opened and out popped Baraka. He got in the car, and we sped down Route 83, exiting onto the 695 Beltway and made our way to Charles Street. At this point, Baraka announced he had to get something to eat. “I am diabetic,” he said. I double parked just a block or two shy of the festival grounds in Mount Vernon while he jumped out and got some tea and a sandwich. I got as close as possible to the tent where he was to read and he ran down the path leading to the overflowing tent just as he was being introduced.
Despite the arduous schedule of Dodge where he said he had to do everything but “tote that barge and lift that bale with short or no breaks in between” and the rather adventurous trip from Newark to Baltimore, he found the strength and managed to give a stirring reading.
I never did tell him how much his poetry and the other artists he featured at Spirit House (his residence that had a theater on the first level) influenced my love for poetry. How he showed me the magic created when jazz and poetry meet.
So, I say so now.
Thank you, Amiri, for helping me to grow in poetry, in jazz, and in life.
– David Barrett