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meet Tracy Dimond and Melanie Henderson – June Wilde Readings guests

The hosts of Wilde Readings – Laura Shovan, Linda Joy Burke, Faye McCray, and Ann Bracken – are happy to host the final reading of the 2021-2022 season with two dynamite authors, Tracy Dimond and Melanie Henderson! The event is at 7 pm on Tuesday, June 14th at the Columbia Art Center and on Zoom. Register here for the Zoom link: https://us02web.zoom.us/…/reg…/WN_vBEdi7IkSiKoSYzVb1XbTg

All are welcome to the Wilde Readings to hear Melanie and Tracy and to participate in the open mic. Please prepare no more than five minutes of performance time/two poems. Sign up in advance by calling the Columbia Arts Center (410-730-0075), or when you arrive. Light refreshments will be served. Books by both featured authors and open mic readers will be available for sale.

Now, meet Melanie and Tracy with our favorite six questions for writers!

Who is the person in your life (past or present) that shows up most often in your writing?

Melanie: My great great grandfather

Tracy: There isn’t one person, all my poems are haunted by things I’ve overheard.

Where is your favorite place to write?

Melanie: In bed on my laptop

Tracy: For the past few years, I’ve gone to Cacapon State Park. I love going to the cabins in the winter, outside of the busy season, and writing without Wi-Fi. I’ve also started running to Cacapon Mountain Overlook when I’m there—it’s a magical view of West Virginia, Virginia, Maryland, and Pennsylvania that you experience after ascending almost 2,000 feet in 5 miles.

Do you have any consistent pre-writing rituals?

Melanie: No

Tracy: I am notoriously sporadic in my writing practice. If I’m running and going to the gym, that’s usually a sign my brain is spinning ideas. I need movement and I need observation. As long as I have an idea and my headphones, I can draft something.

Who always gets a first read?

Melanie: My longtime writing family, Truth Thomas

Tracy: I have good friends in my writing group, and I’ll often send them the pieces where my first question is “is this a diary entry or writing?” I feel safe giving them writing that still feels very raw. Honestly, I also thrive on an audience as first readers—I want to see how different lines land with an audience.

What is a book you’ve read more than twice (and would read again)?

Melanie: American Journal by Robert Hayden

Tracy: I’ll stick to poetry—I have read Dorothea Lasky’s Black Life over and over. She will shift from hilarious to devastating within one poem. That book has been instrumental in my own writing for almost a decade.

What is the most memorable reading you have attended?

Melanie: That’s a pretty tough question. However, I’d have to say I was most moved by a reading given by the illustrious poet, Reuben Jackson, at the American Poetry Museum when it was located on Good Hope Road in SE, DC about 15 years ago.

Tracy: This is such a difficult question—I’ve had the privilege and joy of attending so many incredible readings as an events organizer and community member! This question will probably always change for me, depending on my mood. Today, I’ll say the spirit of the Artichoke Haircut series really grabbed me when I first moved to Baltimore. Local and national writers would be paired, then the hosts would transition to an open mic. It was held at Dionysus in the Mt. Vernon neighborhood of Baltimore, and is one of the reasons I applied to the University of Baltimore (the series hosts went there).

Tracy Dimond is a 2016 Baker Artist Award finalist. She is the author of four chapbooks, most recently: TO TRACY LIKE / TO LIKE / LIKE from akinoga press. She holds her MFA in Creative Writing & Publishing Arts from the University of Baltimore. Find her online at poetsthatsweat.com.

Melanie Henderson was born, raised and lives in Washington, DC. Prior to earning an MFA in Creative Writing from Lesley University, she studied poetry at Howard University and the Voices Summer Writing Workshops (VONA). Her debut collection of poems, Elegies for New York Avenue, won the 2011 Main Street Rag Poetry Book Award. She is the Managing Editor of Tidal Basin Review and Poetry Editor for Cherry Castle Publishing.

Six Questions with Faye McCray and Laura Shovan – April Wilde Readings

Happy National Poetry Month! The Wilde Readings team is excited to invite you to an in person event at the Columbia Arts Center on Tuesday, April 12, 2022 at 7 pm. For the first time, Wilde Readings will feature its wonderfully dedicated hosts Ann BrackenLinda Joy BurkeFaye McCray, and Laura Shovan. All are welcome! We encourage you to participate in the open mic. Please prepare no more than five minutes of performance time/two poems. Sign up in advance by calling the Columbia Arts Center (410-730-0075), or when you arrive. Light refreshments will be served. Books by both featured authors and open mic readers will be available for sale.

Read what Faye and Laura had to say about our Six Questions!

Who is the person in your life (past or present) that shows up most often in your writing?

Faye: A combination of people I grew up with in New York. I grew up in the southeast section of Queens and spent so much of my formative years on buses and subways and playing in the neighborhood. The voices, the dialect, the sights and smells are still so vivid to me. Whether I’m remembering the owners of the corner store, or my elderly neighbors foam rollers – someone always shows up in my fiction.

Laura: In my writing for adults, the person who shows up most often is my husband. We met when we were teenagers. I didn’t write about him, or us, for many years, but after we’d been married for about 25 years, the poems started to come — exploring what it means to be in a long marriage.

Where is your favorite place to write?

Faye: A quiet café, tucked away in the corner while sipping on something hot and nibbling on something sweet.

Laura: A sunny spot with two napping beagles. This winter, I tried poet Juan Felipe Herrera’s “Jabberwalking” method, taking a notebook with me on neighborhood walks, filling it with doodles and scraps of observations.

Do you have any consistent pre-writing rituals?

Faye: I usually need some time for reflection. A long walk, a slow meal – something that allows me to dream a bit before I write.

Laura: I have a large stack of index cards with quotes about writing and the creative life. When I’m working on a novel, I pull a bunch of the cards that feel like good advice for that particular story. Then I incorporate a “Quote of the Day,” into my draft. As I’m writing this, today’s quote is from the artist Modigliani: “It is your duty in life to save your dream.”

Who always gets a first read?

Faye: My spouse – he always gives me just the right combination of encouragement and critique.

Laura: It depends on the genre I’m writing. I don’t have a consistent reader for poetry, but I’m part of a critique group for children’s fiction.

What is a book you’ve read more than twice (and would read again)?

Faye: The Color Purple

Laura: When it comes to rereads, I turn to fantasy. Howl’s Moving Castle by Diana Wynne Jones, I’ve read and listened to more times than I can count.

What is the most memorable reading you have attended?

Faye: I saw Toni Morrison in Baltimore. I honestly can’t even remember what she read – I was just in awe of her presence. She filled the whole room.

Laura: I attended the first Dodge Poetry Festival when I was in high school. I had never been to an in-person poetry reading before. Galway Kinnell read first thing in the morning in a light-filled little church. Sonia Sanchez is the other poet I remember. She had so much style — her poetry, her performance, and her cape. I got myself a black cape and wore it all through senior year of high school.

About the authors:

Faye McCray is an author, playwright, and essayist whose work has been featured in the HuffPost, Parade Magazine, Little Patuxent Review, AARP Magazine, Madame Noire, Black Girl Nerds, and other popular publications. She is the author of I am Loved!, Dani’s Belts, and Boyfriend. Faye is also a proud board member of the Howard County Poetry and Literature Society. Find Faye at www.fayemccray.com, on Twitter and Facebook @fayewrites, and on IG @heyfayemccray.

Laura Shovan is an author, educator, and Pushcart Prize-nominated poet. Her chapbook, Mountain, Log, Salt and Stone, won the Harriss Poetry Prize. Her work appears in journals and anthologies for children and adults. Laura’s award-winning children’s novels include The Last Fifth Grade of Emerson Elementary, Takedown, and the Sydney Taylor Notable A Place at the Table, written with Saadia Faruqi. She teaches for Vermont College of Fine Arts’ Writing for Children and Young Adults MFA program.

Six Questions with Ann Bracken and Linda Joy Burke – April Wilde Readings

Happy National Poetry Month! The Wilde Readings team is excited to invite you to an in person event at the Columbia Arts Center on Tuesday, April 12, 2022 at 7 pm. For the first time, Wilde Readings will feature its wonderfully dedicated hosts Ann Bracken, Linda Joy Burke, Faye McCray, and Laura Shovan. All are welcome! We encourage you to participate in the open mic. Please prepare no more than five minutes of performance time/two poems. Sign up in advance by calling the Columbia Arts Center (410-730-0075), or when you arrive. Light refreshments will be served. Books by both featured authors and open mic readers will be available for sale.

First up with their answers to our Six Questions are Ann Bracken and and Linda Joy Burke.

Who is the person in your life (past or present) that shows up most often in your writing?

Ann: My parents show up frequently because I’m exploring their influence in my life as well as new things I’ve discovered about them. My ex-partners show up when I write poems that deal with positive and negative effects of those relationships.

Linda Joy: I’ve never really considered who shows up most in my writing, though now that I think about my body of work over the past 50 years, I believe the collective shows up the most. Of course like most young poets I showed up the most in the beginning, but then as losses occurred both in the body personal and the body politic the collective dominated.

Where is your favorite place to write?

Ann: I like to write at the desk in my office where I have a lot of inspirational artwork and quotations.

Linda Joy: Depends on the mood I’m in. When I was younger, pre-computer, I would write on large sketch books while sitting on the living room floor. Now I am often dictating into my gadget while walking or pacing around my house. I always wanted to be able to dictate stories or essays when I was younger, especially while I was driving, and even bought a little recorder for that, but transcribing was a whole other job that I didn’t ever have enough time to do for myself then. I love modern tech in this regard, because I think that there’s a certain level of urgency about writing in this stage of my “career”, that if I couldn’t dictate into my gadget, I’m afraid I would lose much of what bubbles around in my brain. My fingers don’t work quick enough sometimes, with either a pen or a keyboard. I know this question was intending to mean what setting as opposed to modality of writing – however I’m not attached to favorite places but more a state of mind or being.

Do you have any consistent pre-writing rituals?

Ann: I often use a timer to get me started when I feel like the well is dry. Other times I doodle shapes and colors to evoke the mood or experience I want to excavate. And occasionally I use Taylor Mali’s Metaphor Dice to help me when I feel stuck or need a fresh way to explore an experience.

Linda Joy: I clear my desk or wherever I may be working, so that there is a sense of spaciousness around me even if I am in a tiny space. Maybe I’ll go for a walk or do something physical like gardening to help clear my head. Then must have sustenance – snacks and a beverage coffee or tea, depending on the time of day or season. I keep my noise cancelling headphones close when my easily distracted meter reading is off the charts – and add instrumental music that feeds me to keep me in the zone.

Who always gets a first read?

Ann: My critique partner always gets a first read. She provides consistent and insightful feedback for me to consider when revising.

Linda Joy: There’s a poetry group that I belong to – who sees work I’ve done as a result of prompts from that group. Other than that I will send to one of my poet/writer colleagues (depending on topic, genre, intent and our history).

What is a book you’ve read more than twice (and would read again)?

Ann: I’ve read Jane Eyre three times, but don’t think I’d read again. I’ve read The Grapes of Wrath twice and was just thinking about re-reading this summer. I’ve read Rumi’s poetry many times and will continue to find beauty in his lines.

Linda Joy: As a kid I usually had to read one or two books over between library visits, because I was a fast reader. I remember reading books like Old Yeller, Grimm’s Fairy Tales, the Henry Higgins books by Beverly Cleary multiple times, and then later, Oliver Twist, The Scarlet Pimpernel, Wuthering Heights, lots of Poe, and others of those books that kids from the 60’s and 70’s read. There have been a couple of staples over the years though, like The 4 Agreements by Don Miguel Ruiz and Lucille Clifton’s the Book of Light. There are numerous books I want to read again through a 21st century, wiser set of eyes, such as Angelou’s memoirs, Baldwin’s novels as well as a few of the dystopian novels that a younger me read while my idealism was still intact, like 1984 and Fahrenheit 451. But, I’d need a clone so that notion is off the table.

What is the most memorable reading you have attended?

Ann: I heard Natasha Trethewey read in an intimate gathering at the University of Maryland. There were fewer than 50 people there, so we had the chance to ask her about her poems and to engage in wonderful discussions about her work. She was both welcoming and encouraging to all those present.

Linda Joy: All of them, but the poet Sekou Sundiata’s reading here in Columbia during one of the Columbia Festival of the Arts/HoCoPoLitSo sponsored readings stands out. I still listen to his work often and wonder what he would have written about these past 5-6 years if he were still here.

About our Authors

Ann Bracken has published three poetry collections, The Altar of Innocence, No Barking in the Hallways: Poems from the Classroom and Once You’re Inside: Poetry Exploring Incarceration. Ann’s memoir, Crash: A Memoir of Overmedication and Recovery, will be published in the fall of 2022. She serves as a contributing editor for Little Patuxent Review, and co-facilitates the Wilde Readings Poetry Series in Columbia, Maryland. She volunteers as a correspondent for the Justice Arts Coalition, exchanging letters with incarcerated people to foster their use of the arts. Her poetry, essays, and interviews have appeared in numerous anthologies and journals, her work has been featured on Best American Poetry, and she’s been a guest on Grace Cavalieri’s The Poet and The Poem radio show. Her advocacy work promotes using the arts to foster paradigm change in the areas of emotional wellness, education, and prison abolition.

Linda Joy Burke is a 2020 Howie recipient for Outstanding Artist, and her poetry has appeared in numerous publications or recordings, including 2020-2021 season of the Poet and The Poem with Maryland Poet Laureate Grace Cavalieri, Fledgling Rag, featured on the Poetry/Photography site, Beltway Magazine at  and more. Find her on Tumblr, Moods Minds & Multitudes on Blogspot, The Bird Talks Blog on Blogspot, and on Instagram @birdpoet. and other cyber-outlets.

wilde readings feature authors Nishi Chawla and Kathleen Hellen

Nishi Chawla and Kathleen Hellen are the feature writers at the October Wilde Readings, a monthly community open mic supported by HoCoPoLitSo. Join Nishi and Kathleen as well as other open mic readers for a free, virtual reading on October 12, 2021 from 7 pm to 8:30 pm. See details about the event below.

May be an image of 2 people, people standing and text that says 'Kathleen Hellen Nisha Chawla Wilde Readings 10-12-2021 7:00pm Zoom &Facebook Live'

We asked Nishi and Kathleen our favorite six questions about their reading and writing, and here’s what they had to share.

Who is the person in your life (past or present) that shows up most often in your writing?

Nishi: There is no specific person whose image gets repeated in my writings. I would suggest that the theme of what I write is what ‘shows up most often in my writing.’ The theme assumes a persona, a kind of living personality. This is often a ‘recollection’ kind of figure as it holds together moments and memories, important aspects of personality along with other parts, like traits of temperament, goals and objectives. This thematic persona assumes the shape of a recent history. It gets wrapped in the web of some urgent questions of the present and future that I try to focus on.

Kathleen: My mother, and more recently my son

Where is your favorite place to write?

Nishi: The solarium is my favorite place to write as the morning rays plunge the room with its unique and faultless solar energy. “Drought became us / Turned us into grains of sand / The blithe breeze that poets sung of / Weren’t that kind to us / When they were done caressing their faces / And having their way with the locks of women’s hair, / They turned a new leaf for a new story” – A A Surin

Kathleen: Anywhere–in the car I write on backs of envelopes, receipts, any available scrap of paper, on walks, in parking lots, on the La-Z-Boy beside the statue of Lord Shiva, on the couch with a legal pad and staring out the window, in bed on unlined tablets beside the pile of books, at the computer in the morning, at the computer at night, in front of the tv on yellow Post-It notes, on beaches with my pocket-sized spiral notebook, in hotel rooms on guest notepads, on planes and waiting at the airport …

Do you have any consistent pre-writing rituals?

Nishi: My writing process is like an implosion within me. I wrap my mind around an idea that bursts into me and sometimes, surprises me to my own inner self. I do not often see clearly where I should go with it. When the way forward seems nebulous, ideas creep around me from behind me, almost my stealth, and crowd my other thoughts out. Sometimes, the outburst seems too condensed and waits to be fleshed out. The flow of words gets blocked, and the dialogues come out broken and need some agility. The sounds and rhythms, the breaks in logic, any unnecessary verbiage, the indiscriminate voices of the individual characters, the hunger in my belly for the right word, the right way to convey my message or project my vision, are all important rituals of my pre-writing process.

Nishi: As soon as I wake up, I put on coffee, stretch, write my dream thoughts in the black-and-white marble composition notebook, then I get to work.

Who gets the first read?

Nishi: My own lonely self. “I saw an otter lying dead at the edge of the creek, / body flaccid, scaled like that of a bird’s. / That was also the time we swung our palms loose, / heading down February over a speed bump, and our mothers- / calling us out, yet the distance too large and the gravity too strong / for us to hear their voices. / It was the way we slid over frozen ice – the carelessness, / the tangling of bones, that reminds me of how / this time and that time was all but a series of endings.” – S Verma

Kathleen: Usually, it’s just me.

What is a book you’ve read more than twice (and would read again)?

Nishi: I have read many books multiple times. I have found Gandhi’s My Experiments with Truth quite mesmerizing even as I try to understand the flawed human being behind the mask of a great and flawless human. “everything comes around from water / to dust, betrayal to trust / you have to recognize the small alphabet a and distinguish it / from the capital A observing the pressure on the fingers that write / trace you must contours on the bark you lean on to / and it will all come to you / Do not look for us when we are not around for we are the moon quivering / upon the night’s lake and the puppet shadows appearing disappearing / beyond us / we are the trees that long for the roots as much yearn the high sky.” – Shelley Bhoil.

Kathleen: Thich Nhat Hanh’s No Death, No Fear

What is the most memorable reading you have attended?

Nishi: A striking and indelible reading that I attended was at Politics and Prose. Amitava Ghosh read from his novel, A Sea of Poppies. Ghosh’s ibis trilogy blew my mind at the level of in depth research he has done. And what a contrast to “Sea Poppies” by H.D.: “Amber husk / fluted with gold, / fruit on the sand / marked with a rich grain, / treasure / spilled near the shrub-pines / to bleach on the boulders: / your stalk has caught root / among wet pebbles / and drift flung by the sea / and grated shells / and split conch-shells. / Beautiful, wide-spread, / fire upon leaf, / what meadow yields / so fragrant a leaf / as your bright leaf?”

Kathleen: Most recently, Tin House’s online reading and interview with Arthur Sze

wilde readings feature authors gabor gyukics and sami miranda

Gabor Gyukics and Sami Miranda are the feature writers at the September Wilde Readings, a monthly community open mic supported by HoCoPoLitSo. Join Gabor and Sami as well as other open mic readers for a free, virtual reading on Tuesday, September 14th at 7:00 pm at the Columbia Arts Center. The event will be livestreamed as well. See details about the event below.

May be an image of 2 people, people standing, people sitting and indoor
Gabor Gyukics (left) and Sami Miranda (right)

We asked Gabor and Sami a few of our favorite questions and there’s what they had to share!

Who is the person in your life (past or present) that shows up most often in your writing?

Gabor: imaginary people from reality

Sami: My Grandfather, and the bass player I perform with Pepe Gonzalez. People I know make up the greater part of my body of work. My work comes from conversations and listening to the stories people have to tell.

Where is your favorite place to write?

Gabor: I can write anywhere

Do you have any consistent pre-writing rituals?

Gabor: Don’t have one. When word hits me I take a note. Weeks or/and months later, I take these notes out and write them down to create poems.

Sami: Conversations with people, other artists, my students

Who always gets a first read?

Gabor: no one

What is a book you’ve read more than twice (and would read again)?

Gabor: Pynchon’s V

Sami: Short History of Monsters by Jose Padua

What is the most memorable reading you have attended?

Gabor: The one with Ira Cohen in NYC and the one with Jack Hirschman in SF, so that’s two – sorry.

Sami: Aracelis Girmay and Ross Gay read together and it was a reading that stuck in my head because of its tenderness and power.

Gabor G. Gyukics, Budapest born Hungarian-American poet, translator, author of 11 books of poetry in five languages, 1 book of prose and 17 books of translations including A Transparent Lion, selected poetry of Attila József in English published in 2006 by Green Integer, an anthology of North American Indigenous poets in Hungarian published in 2015, a brand new Contemporary Hungarian Poetry Anthology in English titled They’ll be Good for Seed published by White Pine Press in 2021. He was honored with the Hungarian Beat Poet Laureate Lifetime award in September 2020 by the National Beat Poetry Foundation, Inc. based in Connecticut.

Sami Miranda is a poet, teacher and visual artist. Originally from the South Bronx, he has made his home in Washington, DC. He is the author of We Is, published by Zozobra Publishing, and Departure published by Central Square Press.

Registration for the in person event will be limited. To register for in-person attendance, email us at WildeReadingsHoCo@gmail.com.

All attendees must follow Columbia Art Center COVID protocols. We encourage attendees to participate in the open mic. Please prepare up to five minutes of performance time/two poems. Sign up when you arrive. Books by featured authors and open mic readers will be available for sale in person and via buying links posted online.

Wilde Readings Quick Six with Rissa Miller

Rissa Miller, author of Goodnight, Poet: Poems to Share at Bedtime

Occasionally, the writers who read at the Wilde Readings will answer our six burning questions about their craft and literary favorites. This month, Rissa Miller, who read at Wilde Readings on February 11th, answers our questions.  Ms. Miller is hosting a free poetry workshop at the Nest in Clarksville on February 12th at 7 pm.

Who is the person in your life (past or present) that shows up most often in your writing?

I’d like to say something more honorable or romantic, but if poets seek truth, I must confess – it’s myself. All things I write, whether poetry, fiction, article, or essay have some part of me in them. Many people have influenced my writing. There are high school English teachers whose voices still echo in my mind as I write; a particularly tough professor will always be with me. She didn’t allow me to use the word “that.” Of course, my friends, family, husband, animal companions – each life that has held my heart, as well as enemies and those who hurt me, will always show up in my writing. They are the souls that formed my voice.r

Where is your favorite place to write?

Anywhere quiet. Home, work, libraries, coffee shops, laundromats. I’m not particular. I’ve written on napkins in cafes, walked out of meetings to write poems in the bathroom at jobs, and scrawled in ballpoint pen up my own arm at stoplights in the car.

Do you have any consistent pre-writing rituals?

Hot green tea. It’s more of a life ritual, I always have hot green tea, even when working out. But writing almost cannot happen without a mug besides me, gently filling the air with steam and subtle verdant aroma.

Who always gets a first read?

My husband, Nathaniel. Well, sometimes our dog, The Dude, hears me read aloud first. After them, my critique group, Ali, Melisa and Robin, see things in early stages.

What is a book you’ve read more than twice (and would read again)?

Their Eyes Were Watching God by Zora Neale Hurston; The Alchemist by Paulo Coelho; in poetry, Residence on Earth by Pablo Neruda. Each one I’ve read several times; each I am confident I will read again.

What is the most memorable reading you have attended?

Allen Ginsberg. Hearing the master himself read Kaddish, the epic poem about the life and death of his mother, literally gave me chills. At the time I was working as a journalist and had the incredible opportunity to interview him afterwards. Though I rarely get nervous and was never star struck around celebrities, Ginsberg made me break out in a cold sweat and stutter through me questions. Not just a famous personality, he was a true influence on the history poetry and writing, as well as a moment in American Society. It was such an honor.

Rissa Miller is hosting a free poetry workshop at the Nest in Clarksville, Maryland on February 12th at 7 pm. No experience required.

The next Wilde Readings is on March 10th at the Columbia Art Center and will feature authors Reuben Jackson & Edgar Silex.

Free Wilde Readings Series Continues with Spring Line-up, Open Mics.

Wilde Readings is a free monthly literary reading series that provides local writers — poets, fiction, non-fiction — a chance to share their work with the community. The format showcases featured authors, as well as an open mic for interested audience members.

The open mic session offers a safe and supportive environment for teens and adults to share writing of all different forms. Open mic presenters are asked to keep their readings to five minutes or less. Come explore how a range of creativity can inspire and fuel the imagination and nurture one’s one craft and well-being.

Wilde Readings is sponsored by HoCoPoLitSo and coordinated by Laura Shovan, Ann Bracken, Linda Joy Burke, and Faye McCray.

 

Second Tuesdays at the Columbia Association Art Center in Long Reach. Starts at 7 p.m.

Spring featured Reader Line-up:

APRIL 9, 2019
Host: Linda Joy Burke

Bruce A. Jacobs is a poet, author, and musician. He has appeared on NPR, C-SPAN, and elsewhere. His two books of poems are Speaking Through My Skin (MSU Press), which won the Naomi Long Madgett Poetry Award, and Cathode Ray Blues (Tropos Press). His most recent nonfiction book is Race Manners for the 21st Century (Arcade/Skyhorse). His work has been published by dozens of literary journals and sites, including Beloit Poetry Journal, Gwarlingo, Truthout, and the 180 More anthology edited by U.S. Poet Laureate Billy Collins. He lives in Washington, DC.

Bio for Naomi Thiers

Naomi Thiers grew up in California and Pittsburgh, but her chosen home is Washington-DC/ Northern Virginia. She is the author of three poetry collections: Only The Raw Hands Are Heaven(which won the Washington Writers Publishing House award), In Yolo County,and She Was a Cathedral(both from Finishing Line Press.) Her poems, fiction, and essays have been published in Virginia Quarterly Review, Poet Lore, Colorado Review, Grist, Sojourners,and other magazines and anthologies. Former poetry editor of Phoebe, she works as an editor for Educational Leadership magazine and lives in a condo on the banks of Four Mile Run in Arlington, Virginia.

 

MAY 14, 2019 — TEEN NIGHT
Host: Faye McCray

Kate Hillyer lives, works, and runs the trails near Washington, D.C. She writes middle grade and young adult fiction, and her essay “Learning to Dance” appears in the anthology Raised by Unicorns. Kate blogs at From the Mixed Up Files of Middle Grade Authors and The Winged Pen, and serves as a Cybils judge for Poetry and Novels in Verse. You can find her on Twitter as @SuperKate.

 

 

Leah Henderson’s novel One Shadow on the Wall, is an Africana Children’s Book Award notable and a Bank Street Best Book of 2017, starred for outstanding merit. Her short story “Warning: Color May Fade” appears in the YA anthology Black Enough: Stories of Being Young & Black in America and her forthcoming picture books include Mamie on the Mound, Day For Rememberin’, and Together We March. Leah has an MFA in Writing and is on faculty at Spalding University’s MFA program.

 

JUNE 11, 2019
Host: Laura Shovan

Wallace Lane is a poet, writer and author from Baltimore, Maryland. He received his MFA Degree in Creative Writing and Publishing Arts from The University of Baltimore in May 2017. His poetry has appeared in Little Patuxent Review, The Avenue, Welter Literary Journal and is forthcoming in several other literary journals. Jordan Year, his debut collection of poetry, is a coming of age narrative, which uncovers what it means to live and survive in Baltimore City. Wallace also works as a Creative Writing teacher with Baltimore City Public Schools.

 

Jen Michalski  is the author of the novels The Summer She Was Under Water  and The Tide King (both Black Lawrence Press), a couplet of novellas, Could You Be With Her Now (Dzanc Books), and two collections of fiction. Her work has appeared in more than 100 publications, including Poets & Writers, and has received five Pushcart nominations. She was named as “One of 50 Women to Watch” by The Baltimore Sun and “Best Writer” by Baltimore Magazine. She is the host of a fiction reading series in Baltimore, called Starts Here! and editor of the weekly online literary journal jmww.

 

 

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April Wilde Readings to Feature Poets Bruce Jacobs, Naomi Thiers, Open Mic

Howard County’s monthly free reading series continues on the second Tuesday of each month. In April, the reading will feature poets Bruce Jacobs, Naomi Thiers, and an open mic — that means you, bring your work.

Wilde Readings is sponsored by HoCoPoLitSo and coordinated by Laura Shovan, Ann Bracken, Linda Joy Burke, and Faye McCray.

 

All are welcome, and everyone is encouraged to participate in the open mic. Please prepare no more than five minutes of performance time/two poems. Sign up in advance by calling the Columbia Arts Center, or on the sign-in sheet when you arrive. The number for the Arts Center is 410-730-0075.

Light refreshments will be served. Books by both featured authors and open mic readers will be available for sale.

Poets Bruce Jacobs, Naomi Thiers and you.
Hosted by Linda Joy Burke.

April 9, 2019 • 7:00 p.m.
Columbia Association Arts Center

 

Bruce A. Jacobs is a poet, author, and musician. He has appeared on NPR, C-SPAN, and elsewhere. His two books of poems are Speaking Through My Skin (MSU Press), which won the Naomi Long Madgett Poetry Award, and Cathode Ray Blues (Tropos Press). His most recent nonfiction book is Race Manners for the 21st Century (Arcade/Skyhorse). His work has been published by dozens of literary journals and sites, including Beloit Poetry Journal, Gwarlingo, Truthout, and the 180 More anthology edited by U.S. Poet Laureate Billy Collins. He lives in Washington, DC.

Naomi Thiers grew up in California and Pittsburgh, but her chosen home is Washington-DC/ Northern Virginia. She is the author of three poetry collections: Only The Raw Hands Are Heaven(which won the Washington Writers Publishing House award), In Yolo County, and She Was a Cathedral(both from Finishing Line Press.) Her poems, fiction, and essays have been published in Virginia Quarterly Review, Poet Lore, Colorado Review, Grist, Sojourners, and other magazines and anthologies. Former poetry editor of Phoebe, she works as an editor for Educational Leadership magazine and lives in a condo on the banks of Four Mile Run in Arlington, Virginia.

Free Wilde Readings Series Continues with Winter Line-up, Open Mics.

Wilde Readings is a free monthly literary reading series that provides local writers — poets, fiction, non-fiction — a chance to share their work with the community. The format showcases featured authors, as well as an open mic for interested audience members.

The open mic session offers a safe and supportive environment for teens and adults to share writing of all different forms. Open mic presenters are asked to keep their readings to five minutes or less. Come explore how a range of creativity can inspire and fuel the imagination and nurture one’s one craft and well-being.

Wilde Readings is sponsored by HoCoPoLitSo and coordinated by Laura Shovan, Ann Bracken, Linda Joy Burke, and Faye McCray.

 

Second Tuesdays at the Columbia Association Art Center in Long Reach. Starts at 7 p.m.

Featured Reader Line-up:

JANUARY 8, 2019

Danuta Hinc and Luther Jett
Host: Ann Bracken

Danuta Hinc’s essays and short fiction have appeared in Washingtonian Magazine, Literary Hub, Popula, Consequence Magazine, The Word Riot, Litteraria, among others. She holds an M.A. in Philology from Gdansk University in Poland, and an M.F.A. in Writing and Literature from Bennington College, VT.  She is the recipient of the Barry Hannah Fiction Award, and the author of the novel, To Kill the Other.  Hinc is a Senior Lecturer at University of Maryland at College Park where she teaches writing.

 

Luther Jett is a native of Montgomery County, Maryland and a retired special educator. His poetry has been published in numerous journals,as well as several anthologies. His poetry performance piece, Flying to America, debuted during the 2009 Capital Fringe Festival in Washington D.C. He is the author of two poetry chapbooks: “Not Quite: Poems Written in Search of My Father” (Finishing Line Press, 2015), and “Our Situation” (Prolific Press, 2018).

 

FEBRUARY 12, 2019

Dr. Dorothy Adamsnon and Gregory Luce
Host: Faye McCray

Dr. Dorothy Adamson Holley, aka Drum Dr. Dot, is a Developmental Psychologist and a Licensed Clinical Social Worker. She is the co-founder of Nyame Nti Cultural Healing Arts Therapy, a nonprofit organization that integrates mental health and the arts to promote healing. Dr. Holley is the creator of Drumetry™, an art form that integrates two of her passions, drumming and poetry, and she is a proud member the Baltimore band, Roses n Rust.

 

Gregory Luce, author of Signs of Small Grace (Pudding House Publications), Drinking Weather (Finishing Line Press), Memory and Desire (Sweatshoppe Publications), and Tile (Finishing Line Press), has published widely in print and online. He is the 2014 Larry Neal Award winner for adult poetry, given by the DC Commission on the Arts and Humanities. He is retired from National Geographic, works as a volunteer writing tutor/mentor for 826DC, and lives in Arlington, VA.

 

MARCH 12, 2019

Andrea Nacina Cole and Lisa Vihos
Host: Linda Joy Burke

Andria Nacina Cole’s short stories have appeared in The Feminist Wire, Baltimore City Paper, and Ploughshares, among others. She has received multiple grants from the Maryland State Arts Council, including the organization’s top prize for fiction. She is the 2010 recipient of the Cohen Award, a Rubys Award grantee and Baltimore’s Best Storyteller (2017). She co-founded A Revolutionary Summer in 2015 in response to the murder of Freddie Carlos Gray.

 

Lisa Vihos is the Poetry and Arts Editor at Stoneboat Literary Journal and an occasional guest blogger for The Best American Poetry. Along with two chapbooks, A Brief History of Mail (Pebblebrook Press, 2011) and The Accidental Present (Finishing Line Press, 2012), her poems have appeared in numerous print and online journals. She has two Pushcart Prize nominations and received first place recognition in the 2015 Wisconsin People and Ideas poetry contest for her poem, “Lesson at the Checkpoint.” She is active in the 100 Thousand Poets for Change global movement and recently returned home from the group’s first world conference in Salerno, Italy. Visit her blog at Frying the Onion.

 

 

Click here to follow Wilde Readings on Facebook.

Wilde Readings

Wilde Readings is a free monthly literary reading series that provides local writers — poets, fiction, non-fiction — a chance to share their work with the community. The format showcases featured authors, as well as an open mic for interested audience members.

The open mic session offers a safe and supportive environment for teens and adults to share writing of all different forms. The atmosphere is welcoming, and it’s a wonderful opportunity to get feedback on work-in-progress. All genre’s acceptable. Open mic presenters are asked to keep their readings to five minutes or less. Come explore how a range of creativity can inspire and fuel the imagination and nurture one’s one craft and well-being.

Wilde Readings are held the second Tuesdays of each month from September through early summer at the Columbia Association Art Center in the village of Long Reach. Readings start at 7 p.m.

Wilde Readings is sponsored by HoCoPoLitSo and coordinated by Laura Shovan, Ann Bracken, Linda Joy Burke, and Faye McCray.

NOTE: The Wilde Readings team and HoCoPoLitSo seek to create a safe and inclusive space for all members of our audience. As artists ourselves, we encourage our featured artists and open mic readers to freely express themselves and their art. However, we recognize sometimes that may mean the artists broach subjects that may be sensitive or controversial – particularly in this volatile socio-political climate. Just as we encourage our artists and open mic readers to speak freely, we encourage our audience to do the same. We encourage you to speak freely with any comments or questions during the Q&A portion of the evening or using the chat and comments sections on the Zoom and Facebook platforms. Good art encourages discussion, and we are happy to provide that forum to the extent time allows.


Join the Wilde Readings Facebook Group and follow the Facebook Page to stay up to date on all Wilde happenings.

Click here and scroll down to Wilde Readings for the Winter Line-up of dates, featured readers, and open mic opportunities.

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