Home » Event
Category Archives: Event
His Excellency Daniel Mulhall, the Irish Ambassador to America, drew a hearty laugh from the audience at Friday night’s Irish Evening of Music and Poetry.
As a daily counterbalance to the insanity on Twitter, Mulhall sends out a few lines of Irish poetry every morning.
To the audience at the poetry reading last week, Mulhall joked that he’s starting a campaign: “It’s time to Make Poetry Great Again.”
After the laughter died down, HoCoPoLitSo board members could be heard muttering amongst themselves, “Poetry was always great.”
But timeline quibbles aside, HoCoPoLitSo was thrilled to welcome the ambassador and sterling poet Vona Groarke to the forty-first Irish Evening.
Last Friday morning, in tribute to Irish Evening, Mulhall sent into the Twitterverse a few lines from Groarke’s beautiful poetry:
Anyway, the leaves were almost on the turn
And the roses, such as they were, had gone too far.
It was snow in summer. It was love in a mist.
It was what do you call it, and what is its name
And how does it go when it comes to be gone?
There’s at least one thing that Mulhall and U.S. President Donald Trump share – they like to start the day with a Tweet. But oh, there’s a world of difference between them.
The poems Groarke read on Friday night were both tender and fierce. Her “Pier,” was well applauded for its verve in chronicling the leap from a pier into the Atlantic on Spittel beach, on the West coast of Ireland. Though Groarke confessed that she hasn’t yet made the leap herself, she’s watched it done, she said, a bit sheepishly. And the poem proves she can feel it.
Many in the audience commended Groarke’s translation from the Irish – the first by a woman poet – of “The Lament for Art O’Leary.” This poem chronicles the mourning and protest of a wife, keening over the body of her Catholic husband, killed by the Protestants, ostensibly for having too fine a horse. And Groarke’s translation was both sensual and sorrowful.
The selections of prose Groarke read from Four Sides Full, her book of prose about art frames, were illuminating, particularly the anecdote about the show of empty frames in the Hermitage in Leningrad, signifying the hiding of artwork to preserve it.
Poetry and music brought some 300 people together last Friday night. Perhaps verse can heal divisions in countries, between people, if we only open our hearts to others’ stories.
Susan Thornton Hobby
I swoon at a good love poem. Here’s a quick introduction to two that have me dizzy on my feet.
Both are by Vona Groarke, HoCoPoLitSo’s guest for this year’s evening of Irish writing and music – it’s this Friday, don’t just mark your calendar, get your ticket. I offer these poems here as foreshadowing for the event, a beloved favorite annual occurrence that’s been going on for more than forty years now. Both poems I discovered while reading up in advance of her visit. Each has me in its own way a little breathless, smitten, staring newly in love at their marvel.
“What leaves us trembling…”
“Shale” is just a great little love poem, I think. It left me trembling. Read the the length of the poem here, it’s not long, but I am only sharing a few stanzas in this piece. It starts and ends by a ‘not telling’ device, meanders nicely in-between, but what it ends up saying along the way.
What leaves us trembling in an empty house
is not the moon, my moon-eyed lover.
Say instead there was no moon
though for nine nights we stood
on the brow of the hill at midnight
and saw nothing that was not
contained in darkness, in the pier light,
our hands, and our lost house.
I described it to a friend as perhaps opaque while trying to be translucent, but opalescent all the while. It’s that opalescent surface that’s dazzling and intriguing, then you peer through the shimmer into what the poem’s lovers share as example of us all. There’s the narrator relating a contemplative monologue, a scenario that is part plot, part seeming. I am not sure what is actually moment and what is shared mind, but it doesn’t matter, the poem’s lovers seem to find themselves at that point of realization and action that comes when two bodies/souls make that moment out of circumstance and each other that is a fusing. And that ending, wow, an unsayable understanding just left there. You know what I’m saying?
The sea is breaking and unbreaking on the pier.
You and I are making love
in the lighthouse-keeper’s house,
my moon-eyed, dark-eyed, fire-eyed lover.
What leaves us trembling in an empty room
is not the swell of darkness in our hands,
or the necklace of shale I made for you
that has grown warm between us.
That warming of such a tangible object is quite a making. What a poem. I’ll go back and read it again and again, wanting that answer, finding that stone.
“Let the worst I ever do to you be die.”
An aubade is a first-thing-in-the-morning poem lovers share to each other. Think of the nightingale and the lark in Romeo and Juliet. In that case, the debate was about which bird’s song was determining the moment over, the day begun, and the time together over, or not, one being the voice of morning, the other of night. A clever quartet for the two still in bed.
The poem “Aubade” from Spindthrift takes on a different sort of in-between-lovers morning scenario. As readers, we are on the sickbed where the caretaker of the couple narrates understanding and affection while tending the beloved. It is hardly a place for a love poem, one would think, but oh how it is. The poem is pictured here in its entirety, so have read.
It’s a way more transparent read that the previous piece, but you do gain a sense of Ms. Groarke’s way of presenting the world through her observations and language. Transparent, but the glass is beautifully etched with fern and foam.
And there’s one line that just dropped me:
Let the worst I ever do to you be die.
Such a sober realization of the inevitable, that we will die on those we love and that is quite a thing should we be the first to go. There’s a dearness and commitment in that line that is quite a realization. Ideally, it is the worst we’ll do. Is love ever ideal? And then that last, true-love line, pure presence, able and ideal, and love in action.
I am here, blessed, capable of more.
Beautiful. Love poems aren’t just for the young, the beautiful, the wooing. They are for the lifelong and every moment.
It’s time for you to fall in love… with Irish Evening.
Mentioned above, Vona Groarke will be reading from her work followed by a concert of Irish music and championship step-dancing at HoCoPoLitSo’s 41st Irish Evening on Friday, February 8, 2019 at Smith Theatre in the Horowitz Center for Visual Performing Arts on the campus of Howard Community College in Columbia, Maryland.
For this year’s Irish Evening, music will be performed by The Hedge Band, featuring Laura Byrne on flute, NEA National Heritage Fellowship winner Billy McComiskey on box accordion, Donna Long on piano, and Jim Eagan on fiddle. Traditional Irish Dancing will be performed by Teelin Irish Dance, featuring owner and director Maureen Berry and the 2016 World Champion Saoirse DeBoy.
It’s going to be a special evening. You are going to fall in love with Irish Evening.
The program begins at 7:30 p.m. Click here for tickets.
Wilde Readings is a free monthly literary reading series that provides local writers — poets, fiction, non-fiction — a chance to share their work with the community. The format showcases featured authors, as well as an open mic for interested audience members.
The open mic session offers a safe and supportive environment for teens and adults to share writing of all different forms. Open mic presenters are asked to keep their readings to five minutes or less. Come explore how a range of creativity can inspire and fuel the imagination and nurture one’s one craft and well-being.
Wilde Readings is sponsored by HoCoPoLitSo and coordinated by Laura Shovan, Ann Bracken, Linda Joy Burke, and Faye McCray.
Second Tuesdays at the Columbia Association Art Center in Long Reach. Starts at 7 p.m.
Featured Reader Line-up:
JANUARY 8, 2019
Danuta Hinc and Luther Jett
Host: Ann Bracken
Danuta Hinc’s essays and short fiction have appeared in Washingtonian Magazine, Literary Hub, Popula, Consequence Magazine, The Word Riot, Litteraria, among others. She holds an M.A. in Philology from Gdansk University in Poland, and an M.F.A. in Writing and Literature from Bennington College, VT. She is the recipient of the Barry Hannah Fiction Award, and the author of the novel, To Kill the Other. Hinc is a Senior Lecturer at University of Maryland at College Park where she teaches writing.
Luther Jett is a native of Montgomery County, Maryland and a retired special educator. His poetry has been published in numerous journals,as well as several anthologies. His poetry performance piece, Flying to America, debuted during the 2009 Capital Fringe Festival in Washington D.C. He is the author of two poetry chapbooks: “Not Quite: Poems Written in Search of My Father” (Finishing Line Press, 2015), and “Our Situation” (Prolific Press, 2018).
FEBRUARY 12, 2019
Dr. Dorothy Adamsnon and Gregory Luce
Host: Faye McCray
Dr. Dorothy Adamson Holley, aka Drum Dr. Dot, is a Developmental Psychologist and a Licensed Clinical Social Worker. She is the co-founder of Nyame Nti Cultural Healing Arts Therapy, a nonprofit organization that integrates mental health and the arts to promote healing. Dr. Holley is the creator of Drumetry™, an art form that integrates two of her passions, drumming and poetry, and she is a proud member the Baltimore band, Roses n Rust.
Gregory Luce, author of Signs of Small Grace (Pudding House Publications), Drinking Weather (Finishing Line Press), Memory and Desire (Sweatshoppe Publications), and Tile (Finishing Line Press), has published widely in print and online. He is the 2014 Larry Neal Award winner for adult poetry, given by the DC Commission on the Arts and Humanities. He is retired from National Geographic, works as a volunteer writing tutor/mentor for 826DC, and lives in Arlington, VA.
MARCH 12, 2019
Andrea Nacina Cole and Lisa Vihos
Host: Linda Joy Burke
Andria Nacina Cole’s short stories have appeared in The Feminist Wire, Baltimore City Paper, and Ploughshares, among others. She has received multiple grants from the Maryland State Arts Council, including the organization’s top prize for fiction. She is the 2010 recipient of the Cohen Award, a Rubys Award grantee and Baltimore’s Best Storyteller (2017). She co-founded A Revolutionary Summer in 2015 in response to the murder of Freddie Carlos Gray.
Lisa Vihos is the Poetry and Arts Editor at Stoneboat Literary Journal and an occasional guest blogger for The Best American Poetry. Along with two chapbooks, A Brief History of Mail (Pebblebrook Press, 2011) and The Accidental Present (Finishing Line Press, 2012), her poems have appeared in numerous print and online journals. She has two Pushcart Prize nominations and received first place recognition in the 2015 Wisconsin People and Ideas poetry contest for her poem, “Lesson at the Checkpoint.” She is active in the 100 Thousand Poets for Change global movement and recently returned home from the group’s first world conference in Salerno, Italy. Visit her blog at Frying the Onion.
HoCoPoLitSo’s guest for its annual Irish Evening on February 8, 2019, is the award-winning poet Vona Groarke, recipient of the 2017 Hennessy Hall of Fame Award for Lifetime Achievement. Groarke’s reading will be followed by a concert of Irish music and championship step dancing. During intermission, complimentary snacks and non-alcoholic beverages will be available. Irish coffee, specialty cocktails, and Guinness will be offered for sale beginning at 7 p.m. and during intermission. The program begins at 7:30 p.m. in the Smith Theatre of the Horowitz Center for Visual and Performing Arts on the campus of Howard Community College. Tickets are available on-line (starting Nov. 23) https://www.brownpapertickets.com/event/3905864, by phone or mail. To purchase by phone, call 443-518-4568 or by mail, send a check and self-addressed envelope to HoCoPoLitSo, 10901 Little Patuxent Parkway, Horowitz Center 200, Columbia, MD 21044.
Vona Groarke’s most recent collection, Selected Poems, won the 2017 Pigott Prize for the best collection of poetry by an Irish poet. Noted as “brilliant and original” by the Irish Times, Groarke writes haunting and candidly sensual poems. At Irish Arts Center’s annual PoetryFest in New York, organizer and author Nick Laird extolled Groarke’s voice as “always modulated beautifully, assured and daring, often wry, (that) in the end keeps faith with the world.”
Groarke has published ten books, including a 2016 book-length personal essay, Four Sides Full and one translation, Lament of Art O’Leary (from an eighteenth-century Irish classic). A new collection of poems, Double Negative, is due in 2019. Her work has been recognized as one of Irish poetry’s “most consistently satisfying voices” (Agenda magazine) and “among the best Irish poets writing today” (Poetry Ireland Review). She has been the recipient of many prizes and grants, including the Brendan Behan Memorial Prize for her first collection, Shale (1994), the Michael Hartnett Award for Flight (2002), and is currently a Cullman Fellow at New York Public Library.
Groarke joins the long list of illustrious Irish authors HoCoPoLitSo has brought to Howard County audiences, including Frank McCourt, Colm Tóibín, Anne Enright, Colum McCann, and Emma Donoghue. For more than 40 years, HoCoPoLitSo’s Irish Evening has celebrated the substantial impact of Irish-born writers on the world of contemporary literature.
Performing traditional and original Irish music will be the Hedge Band: Laura Byrne on flute, Billy McComiskey on the box accordion, Donna Long on piano and Jim Eagan on fiddle, accompanied by dancers Maureen Berry, founder and Director of the Teelin School of Irish Dance, and Saoirse DeBoy, the 2016 World Solo Championship winner (girls age 16-17).
HoCoPoLitSo opens its literary season October 26 with “Ordinary Wonder: Three Poets on Writing and Reality,” featuring Michael Collier, Elizabeth Spires, and David Yezzi. The 2018 Lucille Clifton Reading Series highlights three Maryland poets with new, acclaimed collections. Collier, Spires and Yezzi will read and discuss their work beginning at 7:30 p.m. in the Monteabaro Recital Hall of the Horowitz Center for the Performing and Visual Arts on the campus of Howard Community College. Join us in celebration of HoCoPoLitSo’s forty-five years of literary programming at this year’s Lucille Clifton Reading Series. A book signing and wine and cheese reception will follow. The suggested donation for this event is $5.
The three poets, in their own ways, hold up the ordinary world to the light of poetry and examine everyday mysteries, both beautiful and horrible.
Michael Collier’s most recent collection is My Bishop and Other Poems (2018). Poet and professor A. Van Jordan wrote, “My Bishop and Other Poems reminds us of the power of the observant in an age when, too often, we move too quickly to notice the world unfolding around us. These poems bring a passion, an empathy, and a way of seeing I had forgotten was possible.” Collier’s other collections include An Individual History, a finalist for the Poet’s Prize, and The Ledge, a finalist for the National Book Critics Circle Award and the Los Angeles Times Book Prize. He is the director of the Creative Writing Program at the University of Maryland, a director emeritus of the Bread Loaf Writers’ Conferences, and a former Maryland Poet Laureate.
Elizabeth Spires‘ most recent poetry collection, A Memory of The Future (2018), was influenced by Zen and Asian art. The New York Times wrote of the work, “In these lyrical verses, Spires questions the quotidian, elevating the everyday to a meditational art form.” Spires’ other collections include Worldling, Now the Green Blade Rises, and The Wave-Maker. The author of six books for children, Spires lives in Baltimore and is a professor of English at Goucher College.
David Yezzi’s newest collection of poems is Black Sea (2018). Other collections include Birds of the Air, Azores, and The Hidden Model. Reviewing Birds of the Air (2013), Farisa Khalid noted the poem Orts “does something that many poems strive for but don’t quite get at, and that’s conveying with clarity the otherness of our world—the strange beauty of what we experience and the mystery of what we can’t always understand.” Yezzi has contributed poems and criticism to The New York Times Book Review, The Times Literary Supplement, The Wall Street Journal, The Paris Review, The New Republic, Poetry, The Yale Review, Poetry Daily, and elsewhere. Yezzi, who lives in Baltimore, is the editor of The Hopkins Review and poetry editor of The New Criterion, and chair of the Writing Seminars at Johns Hopkins University.
Three Poets On Writing and Reality
Michael Collier, Elizabeth Spires, and David Yezzi
Friday, October 26, 2018 – 7:30 p.m.
Monteabaro Recital Hall at the
Horowitz Center for the Performing Arts
Howard Community College
HoCoPoLitSo, a private, nonprofit literary organization, receives funding from the Maryland State Arts Council, an agency funded by the state of Maryland and the National Endowment for the Arts; Howard County Arts Council through a grant from Howard County government; The Columbia Film Society; Community Foundation of Howard County; and individual contributors.
I had never heard of Marilyn Chin. But there I sat in the hazy Smith Theatre, listening to the petite, flip-flop-clad lady unfold her Chinese heritage, her voice’s rich resonance baptizing life into her words. Peppered with rhetorical questions and salted with snark, Marilyn Chin’s poetry invited the audience into conversation. As she discussed her experience with assimilation, I thought back to my years of insecurity with my Nigerian identity.
During my childhood, I tugged at my belly, my hair, my skin. I hunched in over myself. But I remember watching a spoken word from YouTube during youth group, the same lines which had echoed through my house the entire week prior because my mom, the youth leader, had been so fascinated by the video. Ears straining to keep up with the whiplash tempo, the laughing cadence, I snapped my fingers, riveted by the rain of spitfire, desperately beckoning the words barked out of the poets’ lips to be mine.
Slam poetry was alive.
A tandem of voice and pulse, spoken word went beyond sonnets and “thou”s and lofty declarations of love; it playfully teased out slant-rhymes and sidestepped the conventions of language. Poetry, I discovered, could be as unorthodox as I wished, and listening to the crowd of adroit artists (cough-SarahKay-PatrickRoche-BlytheBaird-OmarHolmon-cough) has since stirred a hunger.
Maybe I am looking for truth, naked and unholy. Maybe I write because I’m looking to sing what could be my gospel, to scream it in the shower, to spit it into the mic, to whisper it in an ear, to let it breathe ink and paper and dust.
While I write, I’ve knocked on Petrarch’s door, revisiting the poetry I once scoffed, imbibing in myself a greater appreciation for the art. Analyzing syntax and diction is what I love to do—maybe because I regularly eye my friends’ texts. (There’s a world of difference between “ok” and “Okay.”) While I am yet to be convinced that every inch of a poem is birthed from divine inspiration, I nevertheless believe that the spectrum of poetry—from spoken word to the coffee-stained margins—contains a delicateness that ought to be explored with careful hands and open eyes. As a writer, I wish to infuse electric vulnerability in my writing, inviting readers and listeners to unwind, to laugh, to have conversation.
Eunice Braimoh finds herself in a limbo between cultures: in her room hangs the Nigerian flag, while Maryland’s mosaic fusion has grafted itself into her heart. As a writer exploring vulnerable curiosity, she wishes to symphonize conversation regarding race, gender, and diversity. When not effusively fangirling over slam poetry and intricate word-play, Eunice can be found writing (and rewriting) her own poetry and fiction. Previously recognized with two Regional Keys from the D.C. Metro Region, Eunice recently received a Silver Key for her poem “in which icarus does not drown”. She will be attending University of Maryland, College Park as an English major starting this fall.
During Olympics’ coverage when I was a kid, ABC’s genial Jim McKay used to do interviews with athletes called “Up Close and Personal.” Sure, ice skating and swimming competitions were cool to watch, but “Up Close and Personal” was always my favorite because those talks felt intimate.
HoCoPoLitSo’s own versions of “Up Close and Personal” are the workshops that acclaimed writers offer aspiring writers. During the 2018 Blackbird Poetry Festival, featured poets Marilyn Chin and Joseph Ross read their work during the afternoon and evening. But on the morning of April 26, Ross and Chin offered forty students a close-up version of writing and reading poetry.
Students from Howard Community College’s creative writing and English courses were assigned some of Chin’s poetry to read, and she brought those poems to life, reciting and reading works like “How I Got That Name,” in which she explains how her father repurposed her Chinese name, Mei Ling, to become Marilyn. As a dark brown Chinese child, she wasn’t beautiful and wasn’t honored, Chin explained to the students.
“I’m this little Chinese girl, born dark, underweight, a little weak. How shall I speak? I shall speak loudly,” Chin said. “I shall speak for that little brown girl who was unwanted.”
Chin and the students also talked about “loaded words,” like “slant” and “bitch,” and how Chin wants to repurpose those words and take the power away from the negativity that bigots have used.
“You can take the power back,” Chin promised.
When Joseph Ross claimed the microphone, he turned the tables and asked the students to write. “Every poem is political,” Ross said, because as Langston Hughes wrote, “Poets who write mostly about love, roses and moonlight, sunsets and snow, must lead a very quiet life.” Whether you choose to write about sunsets or sexual assault, snow or police brutality, those are political choices, he explained.
Then he asked students to write ten to fifteen-line poems including these phrases: line from a song, a phrase someone might hear on public transportation, words someone might speak in a kitchen, and title of a favorite book or poem or movie.
Sofia Barrios, who also read a powerful political poem during the afternoon reading, wrote a poem that logically incorporated the line, “Next stop, Glenmont.”
The next assignment Ross suggested was to write an apology that the author wanted to hear. One student wrote the apology her father should give to her. Another wrote an apology to his inner self that included the sentiment that he was sorry he didn’t believe in himself more.
After the workshop, Chin listened to one student’s story. Chunlian Valchar told Chin that as a baby girl born with a birth defect in China, her birth parents left her by the side of the road near the market. Valchar’s adoptive family wanted her, though, so Valchar said her situation was slightly different from Chin’s, but she still identified strongly with Chin’s work.
Chin enfolded Valchar in a hug, they took a photo and Chin left her with a simple thought: “You’re loved and cherished.”
Afterward, Valchar explained that she’s not really angry at her birth parents, since she doesn’t really know what they were going through. But she liked Chin’s poetry.
“It’s interesting to see a poet on paper, and then to hear the background,” Valchar said. “It’s more impactful to hear the back story.”
Up close and personal indeed.
Susan Thornton Hobby
HoCoPoLitSo board member
The Fierce Revolution of Marilyn Chin
HoCoPoLitSo and HCC’s Tenth Annual Blackbird Poetry Festival
Award-winning poet and author Marilyn Chin headlines the tenth annual Blackbird Poetry Festival for HoCoPoLitSo and Howard Community College (HCC). Born in Hong Kong and raised in Oregon, activist poet Chin unflinchingly explores the intersection of the Asian and American worlds.
The Blackbird Poetry Festival, held April 26, 2018, on the campus of Howard Community College, is a day devoted to verse, with student workshops, book sales, readings, and patrols by the Poetry Police. The Sunbird poetry reading, featuring Ms. Chin, as well as Washington, D.C., poet and educator Joseph Ross, local authors, and Howard Community College faculty and students, starts at 2:30 p.m. Ms. Chin will read from and discuss her poetry, including her most recent work, Hard Love Province, during the Nightbird Poetry Reading, starting at 7:30 p.m. in the Smith Theatre of the Horowitz Center for Visual and Performing Arts. Hard Love Province won the 2015 Anisfield-Wolf National Prize for Literature that confronts racism and examines diversity. Former winners of this prize include Martin Luther King, Jr. and Malcolm X, Toni Morrison and Maxine Hong Kingston, Gwendolyn Brooks and Oprah Winfrey. Nightbird admission tickets are $20 each (seniors $15 and students $10). Click here for tickets.
Marilyn Chin co-directs the MFA program at San Diego State University and has won numerous awards for her poetry, including from the Radcliffe Institute at Harvard, the Rockefeller Foundation, the National Endowment for the Arts, Stegner Fellowship, the PEN/Josephine Miles Award, four Pushcart Prizes, the Paterson Prize, and many others.
Chin is the author of four poetry collections: Hard Love Province (2014), Rhapsody in Plain Yellow (2002); The Phoenix Gone, The Terrace Empty (1994); and Dwarf Bamboo (1987). She is also the author of a novel, Revenge of the Mooncake Vixen (2009). Pulitzer Prize-winner and Anisfield-Wolf juror Rita Dove noted about Hard Love Province, “In these sad and beautiful poems, a withering portrayal of our global ‘society’ emerges – from Buddha to Allah, Mongols to Bethesda boys, Humvee to war horse, Dachau to West Darfur, Irrawaddy River to San Diego.” In his review of The Phoenix Gone in The Progressive, Matthew Rothschild said Chin “has a voice all her own — witty, epigraphic, idiomatic, elegiac, earthy…She covers the canvas of cultural assimilation with an intensely personal brush.” Booklist contributor Donna Seaman described the tone of Rhapsody in Plain Yellow as “Chin paces the line demarcated by the words Chinese American like a caged tiger, fury just barely held in check.”
Joseph Ross’s newest collection of poems, Ache, was published in 2017. Sarah Browning, director of Split This Rock, noted “The poems in Ache do just that, they ache – from the wounds inflicted by racism, from history’s ravages. The wail, the poems insist, ‘is the language/inside every tongue.’ Joseph Ross’s moral vision is unsparing, truth-telling, fierce.”
HoCoPoLitSo’s guest for its 40th annual Irish Evening on February 9, 2018 is the award-winning novelist and short story writer Mike McCormack, whose latest novel is a tour-de-force in a single sentence. McCormack’s reading will be followed by new and traditional Irish music by Narrowbacks featuring Jesse and Terence Winch, with stepdancers from the Culkin School. Irish coffee, Guinness and other beverages and snacks will be offered for sale beginning at 7 p.m. and during intermission.
Mike McCormack’s most recent novel, Solar Bones, won the 2016 Goldsmith’s prize, given to fiction with “qualities of creative daring,” and was longlisted for the 2017 Man Booker Prize. The book, which takes place in the mind of a middle-aged Irish civil engineer, has little punctuation and no chapter breaks, and Goldsmith’s chair of judges Blake Morrison said of the book, “its subject may be an ordinary working life but it is itself an extraordinary work.”
The Guardian subtitled their review “an extraordinary hymn to small-town Ireland.” The Times U.K. named Solar Bones one of the best fiction books of 2017 and noted that the novel, “follows meandering memories of his wife, his adult children and his work; these simple materials make for a beautiful and strangely compulsive read.” The Wall Street Journal also listed it as one of the best new books of 2017. Former Irish Evening guest novelist Colum McCann wrote, “With stylistic gusto, and in rare, spare, precise and poetic prose, Mike McCormack gets to the music of what is happening all around us.”
In 1996, McCormack won the Rooney Prize for Irish Literature for his first collection of short stories, Getting It in the Head. His novel Notes from a Coma was shortlisted for the Irish Book of the Year Award in 2006; in 2010, John Waters of The Irish Times described it as “the greatest Irish novel of the decade just ended.” Val Nolan noted in an article in Ariel (April 2012) “McCormack’s fiction is cerebral and often surreal, depicting a west of Ireland that moves beyond narrow, realistic interpretations and into spaces that exist outside of government and history.” McCormack has also published the novel Crowe’s Requiem (2012) and a short story collection, Forensic Songs (2012).
McCormack joins the long list of illustrious Irish authors HoCoPoLitSo has brought to Howard County audiences, including Frank McCourt, Colm Tóibín, Anne Enright, Colum McCann, and Emma Donoghue. For 40 years, HoCoPoLitSo’s Irish Evening has celebrated the substantial impact of Irish-born writers on the world of contemporary literature. The evening program begins at 7:30 p.m. in the Smith Theatre of the Horowitz Center for Visual and Performing Arts on the campus of Howard Community College. General admission tickets are $35 each; available on-line at http://www.brownpapertickets.com/event/3099986 or by sending a check and self-addressed envelope to HoCoPoLitSo, 10901 Little Patuxent Parkway, Horowitz Center 200, Columbia, MD 21044. Each ticket purchased by January 15, 2018, includes a complimentary adult drink.
HoCoPoLitSo works to cultivate appreciation for contemporary poetry and literature and celebrate culturally diverse literary heritages. The society sponsors literary readings and writers-in-residence outreach programs, produces The Writing Life (a thirty-minute writer-to-writer talk show), and partners with the public schools and cultural organizations to support the arts in Howard County, Maryland. For more information, visit www.hocopolitso.org.
Click here to download a pdf of this press release.
Wrap-up your holiday shopping at smile.amazon.com/ch/52-1146948 and Amazon donates to Howard County Poetry & Literary Society.
Laurie Frankel’s Goodbye For Now
A Howard County Book Connection Event
Wednesday, November 1, 2017 • 1 p.m.
Rouse Community Foundation Student Services Hall, Room 400
Howard Community College
10901 Little Patuxent Parkway
Columbia, MD 21044
If you could connect with your beloved dead through technology, would you? Laurie Frankel’s novel, Goodbye for Now, is a love story with technology at its heart. Join us to hear Frankel read from her ground-breaking book at HoCoPoLitSo’s series celebrating ground-breaking poet and HoCoPoLitSo artistic advisor Lucille Clifton. Gather with a group of curious minds for this intriguing discussion. The New York Times said Frankel’s book, “extends the reach of technology just beyond our fingertips, where it feels possible.” This program is brought to you by the Howard County Book Connection; a partnership between Howard Community College, the Howard County Public Library System, and the Howard County Poetry & Literature Society (HoCoPoLitSo). A book signing will follow. Tickets not required.
Seniors can request transportation by calling 410.715.3087. For other accommodations, call 443.518.4568 by October 16
This event is free. Click here to register and let us know you are coming.