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Acclaimed author of “Everywhere You Don’t Belong” joined in conversation with Tyrese L. Coleman at the Horowitz Visual & Performing Arts Center
COLUMBIA, MD – Howard Community College announced that Gabriel Bump, author of “Everywhere You Don’t Belong,” a New York Times Book Review Notable Book of 2020 and an Electric Lit Favorite Novel of 2020, will deliver the keynote at the second annual Bauder Lecture. Bump’s keynote will be offered in a hybrid format, both live in person and streamed via Vimeo, on September 22, 2022, at 12:30 p.m. His keynote will be followed by an in-depth conversation with DC-based writer Tyrese L. Coleman.
Bump’s novel, “Everywhere You Don’t Belong,” follows protagonist Claude, a young Black man born on the South Side of Chicago and raised by his civil rights-era grandmother, who tries to shape him into a principled actor for change; yet when riots consume his neighborhood, he hesitates to take sides, unwilling to let race define his life. He escapes Chicago to go to college, to find a new identity, and to leave the pressure cooker of his hometown behind. But as he discovers, there is no safe haven for a young Black man in this time and place called America.
Following his keynote, Bump will be joined by Washington, D.C.-based writer, Tyrese L. Coleman, author of “How to Sit,” for an in-depth conversation. Tyrese L. Coleman is a writer, wife, mother, and attorney. Her debut collection of stories and essays, “How to Sit,” was published by Mason Jar Press in 2018 and nominated for a 2019 PEN Open Book Award.
The Bauder Lecture by Howard Community College is made possible by a generous grant from Dr. Lillian Bauder, a community leader and Columbia resident. Howard Community College presents an annual endowed author lecture, and the chosen book will be celebrated with two student awards. Known as the Don Bauder Awards, any Howard Community College student who has read the featured book is eligible to respond and reflect on the book in an essay or other creative format. The awards honor the memory of Don Bauder, late husband of Dr. Lillian Bauder and a champion of civil rights and social justice causes.
“Everywhere You Don’t Belong” was selected by the Howard County Book Connection committee as its choice for the 2022–2023 academic year. The Howard County Book Connection is a partnership of Howard Community College and the Howard County Poetry and Literature Society.
The Bauder Lecture will take place in Howard Community College’s Smith Theatre at the Horowitz Visual and Performing Arts Center, 10901 Little Patuxent Parkway, Columbia, Maryland. The event will be live streamed on Vimeo and archived.
To learn more about the Bauder Lecture and RSVP for the event, visit howardcc.edu/bauderlecture.
Founded in 1974 by Ellen Conroy Kennedy in Columbia, Maryland, HoCoPoLitSo is an innovative, small, not-for-profit community literary arts organization devoted to fostering a love of contemporary literature, preserving the world literary heritage, and responding equitably and inclusively to the evolving needs and interests of our dynamic community.
The managing director (MD) reports directly to the co-chairs of the Board of Directors. The MD represents and supports the organization’s day-to-day operations through dynamic project management, conscientious fiscal oversight, creative problem-solving, and highly effective communication. The MD works collaboratively with the board and the program coordinator to create, manage, and maintain a schedule of literary events that cultivate literary appreciation and provide high-quality interactive opportunities for our community to engage with great writers. The MD manages resources, produces financial and grant reports, organizes volunteers, establishes meeting agendas, and contracts with vendors, as well as documents, tracks, and maintains the organization’s financial income and expense records, including oversight of grant funding.
The ideal candidate has:
- Bookkeeping and grant management experience sufficient to manage within a limited budget and uncertain revenue stream (e.g., familiarity with QuickBooks)
- Budget and management experience (non-profit experience preferred)
- Demonstrated evidence of flexibility, resourceful problem-solving skills, and a collaborative spirit
- Strong written and verbal communication skills and interpersonal skills
- Conscientious attention to detail, follow-through, and organization
- Technical knowledge sufficient to manage communication and finances effectively, to update website content, with some social media skills
- The ability to multitask
- Evidence of ability to work effectively as a team member
- Willingness to perform other duties as necessary to accomplish the organization’s objectives
The position requires:
- Access to reliable transportation and ability to transport event materials; lives within a reasonable commuting distance
- Regular attendance and availability are requirements. Willingness to work remotely when necessary.
- Ability to meet on a regular schedule each month with the board and the program committee
- Ability to work flexible hours both in person, in the office, and online as needed, including occasional nights and weekends as needed for events
- Commitment to a safe and confidential working environment by participating in necessary training
- Ability to lift 25 pounds
- Hours Per Week: varies with schedule of events and deadlines; approximately 20-25
- Work Schedule: Monday – Friday, occasional nights and weekends for events
- Compensation: $18,000-$25,000/year
- FLSA Status: Exempt
- Open Until Filled
- Please apply by September 30, 2022 for best consideration
Send cover letter and resume with three professional references to HoCoPoLitSo.email@example.com.
HoCoPoLitSo values diversity within its staff, board, and volunteer population. All qualified applicants will receive consideration for employment without regard to race, color, religion, sex, national origin, age, gender, sexual orientation, gender identity, genetic information, disability or protected veteran status.
HoCoPoLitSo opens its literary season September 25th at 7 p.m. with a special program to celebrate the release of a How I found Love Behind the Catcher’s Mask (City Point Press) by E. Ethelbert Miller. The 2022 Lucille Clifton Reading Series will be held in the Clifton Room at Busboys and Poets, 6521 Mango Tree Road, Columbia, MD 21044.
Columbia audiences have enthusiastically enjoyed local D.C. writer E. Ethelbert Miller’s work for years. Miller served as writer in residence to the Howard County schools in 1996-1997; hosted Joseph Ross for the Clifton Reading Series in 2020; and has been both the featured author and host on several of HoCoPoLitSo’s The Writing Life.
E. Ethelbert Miller is a writer and literary activist. He is the author of two memoirs and several books of poetry including The Collected Poems of E. Ethelbert Miller, a comprehensive collection that represents over 40 years of his work. Miller’s poetry has been translated into nearly a dozen languages. For 17 years he served as the editor of Poet Lore, the oldest poetry magazine published in the United States. Miller is a two-time Fulbright Senior Specialist Program Fellow to Israel. He holds an honorary degree of Doctor of Literature from Emory and Henry College and has taught at several universities. Miller is on the board of the Institute for Politics, Policy and History at UDC. Miller also hosts WPFW (89.3 FM) radio’s On the Margin, a weekly podcast.
For events, the Lucille Clifton Room at Busboys and Poets has a capacity for 120 people, with table seating available for 70 on a first come, first seated basis. Additional seating is available at the bar, and there is plenty of standing room. Admission is free, though an RSVP is requested at https://eethelbertmiller.eventbrite.com/. Books, food and beverages will be available for purchase onsite. Table service features drinks, snacks, and access to the full restaurant menu. More information about Busboys and Poets and a menu is available at https://www.busboysandpoets.com/location/columbia/
HoCoPoLitSo, a private, nonprofit literary organization, receives funding from the Maryland State Arts Council, an agency funded by the state of Maryland; Howard County Arts Council through a grant from Howard County government; Community Foundation of Howard County; Columbia Film Society and individual contributors. For more information, visit http://www.HoCoPoLitSo.org or https://www.facebook.com/HoCoPoLitSo.
Columbia, MD – August 3, 2022 – The Howard County Poetry & Literature Society is delighted to receive a grant in the amount of $2,500 from the Community Foundation of Howard County (@CFHoCo on Twitter). Supported by grants and individual donors, HoCoPoLitSo cultivates the appreciation for contemporary poetry and literature, celebrates a culturally diverse literary heritage, and broadens exposure to the literary arts to foster community.
Funds from the Community Foundation of Howard County helps HoCoPoLitSo produce live, virtual and recorded literary programs accessible world-wide. Programs such as “Poetry Potluck” took the audience into the kitchens of four former writers-in-residence, who discussed their food inspired poetry and the importance of food in creating a vibrant community.
HoCoPoLitSo is a 501(c)(3) not-for-profit literary arts organization. Founded in 1974, the society has presented 5 Nobel Laureates, 31 Pulitzer Prize winners, 22 National Book Award winners, 19 National Poets Laureates, 9 Maryland Poets Laureates, and more than 300 writers to the Howard County community. Audiences can attend programs in-person, virtually or view at YouTube.com/HoCoPoLitSo twenty-four hours a day from anywhere in the world.
About the Community Foundation of Howard County – For more than 50 years, the Community Foundation of Howard County has served as a knowledgeable, trusted partner that forges connections between donors and nonprofit organizations to provide impactful investments in Howard County. Since 2020 the foundation has awarded more than $6.5 million through more than 1,000 grants to organizations delivering human service, arts and cultural, educational and civic programs. Funds to support grant programs comes primarily from income generated by the foundation’s endowment supported by more than 365 funds established by Howard County businesses, families and individuals. For more information, visit CFHoCo.org or call 410-730-7840.
HoCoPoLitSo thanks its audiences and donors, like the Community Foundation of Howard County, for supporting the literary arts in our Howard County Community!
“Your help is important. Not just to keep this local literary organization going, but to keep the positive work of words out there in the world, connecting people along the way.”
-Tim Singleton, Board Co-chair.
In 2021, Howard County Poetry and Literature Society launched the Ellen Conroy Kennedy Poetry Prize in honor of its founding member, Ellen Conroy Kennedy. The contest received more than 100 submissions in its inaugural year, and the selection committee chose Judd Hess’s poem “Darth Vader” for an honorary mention. The committee was unanimous in wishing to recognize ”the intense, vivid voice of this poem and its layered metaphors that address the moment… it strums chords in so many of us as we’ve struggled to co-exist with COVID… the way the poem deftly builds the speaker’s frustration until the final, angry eruption.”
Judd Hess holds an MFA and an MA from Chapman University. He has won the Fugue Poetry Prize, the John Fowles Creative Writing Prize for Poetry, the Ellipsis Prize, and been nominated for the Pushcart Prize. He lives in Southern California with his beautiful family.
Judd answered some of our favorite questions for writers. See what he had to say about his poem “Darth Vader,” what inspires him, and what poetry means to him.
Tell us about your poem “Darth Vader.” How did it come about? What sparked or inspired it?
“Darth Vader” is a fairly autobiographical piece. My son really did have a Darth Vader bike, red and black. The conversation related in the poem is an amalgam of various conversations over the last year, but frustrating in person as they are in the poem. Poetry is a medium for us to examine the conflicts of the human condition, and the conflicts over our reactions to the pandemic have redefined all of our lives these last few years. It felt appropriate to try to articulate the absurdity and incessant fear of the last several years, as much for myself as for others. The great shout stuck in all our throats needs to articulate itself.
What was an early experience where you learned that language had power?
AP English Lit, senior year: We were using Perrine’s “Sound And Sense” as a text. For the summative assessment at the end of the unit, we were asked to work in pairs to explicate in front of the class one of the “Poems For Additional Reading” in the back of the book. My best friend and I chose T.S. Eliot’s “The Love Song of J. Alfred Prufrock” because it was the longest, and, frankly, because we were smartasses. I remember vividly the way my subsequent exploration of that poem floored me. It struck me as a tour de force of poetic power, even when I had no idea what it was talking about. I liken that experience to that of an intensely good meal. One does not need to be a gourmet chef to understand that one is experiencing culinary quality. Some things are just powerful and vibrant. They reveal the bones of the earth and help us see the strange singing of the sky.
Tell us about a writer or a book that you return to over and over for inspiration.
Shakespeare is where I most often go. I am endlessly floored by the brilliance and complexity of the construction of Hamlet, for example. Shakespeare teaches the economy of poetry. His spells are the most potent because they are the most precise. He is the great teacher of the craft. However, when I want to feel the way poetry ought to help us feel, when I need to run on the wind, when I am nearly overwhelmed with swallowing the sea, when I need to see and to be seen, I return to Whitman. Whitman is what home feels like, what the world ought to be, where wholeness triumphs over woundedness.
What is the experience of poetry? What is it like to compose?
I am often reminded of the ending of “Our Town” when the Stage Manager confesses to Emily that only the saints and poets even partially live life to the fullest. The root of great poetry, I have come to see, is the depth of connectivity to our existence. We are magical creatures, with such profundity and power as, when tapped into, shakes the firmament and the abyss. Our daily lives are full of this magic, full of the conflicts and connections that shake the stars and reroute time as though we were to throw ourselves across a river and alter its course with our agency. The art of the composition of poetry is a rooting into this power. It is as though we slip into another world collectively within us and, returning time and again, train ourselves to more perfectly construct portals to that place, to bring back distillations of its winds and waters, mysterious elixirs that others who have sunk into that place from time to time recognize in their own experience. The great beauty, however, is that those potions taste differently to each of us. We may recognize and approximate to some degree what we have experienced, but the reception of that experience distilled always savors of surprise in the mouths of those who imbibe it, for they are equally as magical, with their own sojourns in that deep place to draw from.
Congratulations to Judd!
Happy National Poetry Month! The Wilde Readings team is excited to invite you to an in person event at the Columbia Arts Center on Tuesday, April 12, 2022 at 7 pm. For the first time, Wilde Readings will feature its wonderfully dedicated hosts Ann Bracken, Linda Joy Burke, Faye McCray, and Laura Shovan. All are welcome! We encourage you to participate in the open mic. Please prepare no more than five minutes of performance time/two poems. Sign up in advance by calling the Columbia Arts Center (410-730-0075), or when you arrive. Light refreshments will be served. Books by both featured authors and open mic readers will be available for sale.
First up with their answers to our Six Questions are Ann Bracken and and Linda Joy Burke.
Who is the person in your life (past or present) that shows up most often in your writing?
Ann: My parents show up frequently because I’m exploring their influence in my life as well as new things I’ve discovered about them. My ex-partners show up when I write poems that deal with positive and negative effects of those relationships.
Linda Joy: I’ve never really considered who shows up most in my writing, though now that I think about my body of work over the past 50 years, I believe the collective shows up the most. Of course like most young poets I showed up the most in the beginning, but then as losses occurred both in the body personal and the body politic the collective dominated.
Where is your favorite place to write?
Ann: I like to write at the desk in my office where I have a lot of inspirational artwork and quotations.
Linda Joy: Depends on the mood I’m in. When I was younger, pre-computer, I would write on large sketch books while sitting on the living room floor. Now I am often dictating into my gadget while walking or pacing around my house. I always wanted to be able to dictate stories or essays when I was younger, especially while I was driving, and even bought a little recorder for that, but transcribing was a whole other job that I didn’t ever have enough time to do for myself then. I love modern tech in this regard, because I think that there’s a certain level of urgency about writing in this stage of my “career”, that if I couldn’t dictate into my gadget, I’m afraid I would lose much of what bubbles around in my brain. My fingers don’t work quick enough sometimes, with either a pen or a keyboard. I know this question was intending to mean what setting as opposed to modality of writing – however I’m not attached to favorite places but more a state of mind or being.
Do you have any consistent pre-writing rituals?
Ann: I often use a timer to get me started when I feel like the well is dry. Other times I doodle shapes and colors to evoke the mood or experience I want to excavate. And occasionally I use Taylor Mali’s Metaphor Dice to help me when I feel stuck or need a fresh way to explore an experience.
Linda Joy: I clear my desk or wherever I may be working, so that there is a sense of spaciousness around me even if I am in a tiny space. Maybe I’ll go for a walk or do something physical like gardening to help clear my head. Then must have sustenance – snacks and a beverage coffee or tea, depending on the time of day or season. I keep my noise cancelling headphones close when my easily distracted meter reading is off the charts – and add instrumental music that feeds me to keep me in the zone.
Who always gets a first read?
Ann: My critique partner always gets a first read. She provides consistent and insightful feedback for me to consider when revising.
Linda Joy: There’s a poetry group that I belong to – who sees work I’ve done as a result of prompts from that group. Other than that I will send to one of my poet/writer colleagues (depending on topic, genre, intent and our history).
What is a book you’ve read more than twice (and would read again)?
Ann: I’ve read Jane Eyre three times, but don’t think I’d read again. I’ve read The Grapes of Wrath twice and was just thinking about re-reading this summer. I’ve read Rumi’s poetry many times and will continue to find beauty in his lines.
Linda Joy: As a kid I usually had to read one or two books over between library visits, because I was a fast reader. I remember reading books like Old Yeller, Grimm’s Fairy Tales, the Henry Higgins books by Beverly Cleary multiple times, and then later, Oliver Twist, The Scarlet Pimpernel, Wuthering Heights, lots of Poe, and others of those books that kids from the 60’s and 70’s read. There have been a couple of staples over the years though, like The 4 Agreements by Don Miguel Ruiz and Lucille Clifton’s the Book of Light. There are numerous books I want to read again through a 21st century, wiser set of eyes, such as Angelou’s memoirs, Baldwin’s novels as well as a few of the dystopian novels that a younger me read while my idealism was still intact, like 1984 and Fahrenheit 451. But, I’d need a clone so that notion is off the table.
What is the most memorable reading you have attended?
Ann: I heard Natasha Trethewey read in an intimate gathering at the University of Maryland. There were fewer than 50 people there, so we had the chance to ask her about her poems and to engage in wonderful discussions about her work. She was both welcoming and encouraging to all those present.
Linda Joy: All of them, but the poet Sekou Sundiata’s reading here in Columbia during one of the Columbia Festival of the Arts/HoCoPoLitSo sponsored readings stands out. I still listen to his work often and wonder what he would have written about these past 5-6 years if he were still here.
About our Authors
Ann Bracken has published three poetry collections, The Altar of Innocence, No Barking in the Hallways: Poems from the Classroom and Once You’re Inside: Poetry Exploring Incarceration. Ann’s memoir, Crash: A Memoir of Overmedication and Recovery, will be published in the fall of 2022. She serves as a contributing editor for Little Patuxent Review, and co-facilitates the Wilde Readings Poetry Series in Columbia, Maryland. She volunteers as a correspondent for the Justice Arts Coalition, exchanging letters with incarcerated people to foster their use of the arts. Her poetry, essays, and interviews have appeared in numerous anthologies and journals, her work has been featured on Best American Poetry, and she’s been a guest on Grace Cavalieri’s The Poet and The Poem radio show. Her advocacy work promotes using the arts to foster paradigm change in the areas of emotional wellness, education, and prison abolition.
Linda Joy Burke is a 2020 Howie recipient for Outstanding Artist, and her poetry has appeared in numerous publications or recordings, including 2020-2021 season of the Poet and The Poem with Maryland Poet Laureate Grace Cavalieri, Fledgling Rag, featured on the Poetry/Photography site, Beltway Magazine at and more. Find her on Tumblr, Moods Minds & Multitudes on Blogspot, The Bird Talks Blog on Blogspot, and on Instagram @birdpoet. and other cyber-outlets.
Molly McCully Brown Headlines HoCoPoLitSo’s Fourteenth Annual Blackbird Poetry Festival
Molly McCully Brown headlines the Blackbird Poetry Festival to be held in person on April 28, 2022, at Howard Community College (HCC). The festival is a day devoted to verse, with a student workshop, readings, and HCC Poetry Ambassadors. The afternoon Sunbird Reading features Brown, Hayes Davis, local authors, and Howard Community College faculty and students. This free daytime event starts at 2:30 p.m. in the Rouse Community Foundation Building room 400 (RCF 400). The Nightbird program, in the Horowitz Center’s Monteabaro Hall, begins at 7:30 p.m. Presented live, the evening features an introduction by Hayes Davis, a reading by Molly McCully Brown, and a reception and book signing.
Nightbird tickets, $15 (HCC students free), are available on-line at https://bit.ly/nightbird2022. If you need help with your order, the Horowitz Center Box Office (443.518.1500) has limited phone hours to answer your questions. Additional information can be found at https://hocopolitso.org/blackbird-poetry-festival/. At this time, masks are required for all guests on campus. Up-to-date requirements for campus visitors are available at: https://www.howardcc.edu/coronavirus
Brown’s newest book, Places I’ve Taken My Body (Persea Books, 2020), is an essay collection that Kirkus Reviews (April 1, 2020) described as “Heartfelt and wrenching, a significant addition to the literature of disability, explores living within and beyond the limits of your body.” Brown writes that she “came into the world blue and tiny and sparring for my place in it. Two pounds, with my fists up.” The only surviving premature identical twin, Brown was born with cerebral palsy. Brown is a poet and essayist who teaches at Old Dominion University, where she is an assistant professor of English and creative nonfiction, and a member of the MFA Core Faculty. In The Field Between Us (Persea Books, 2020), poems written in the form of letters between coauthors Molly McCully Brown and Susannah Nevison, consider disability and the possibility of belonging in the aftermath of lifelong medical intervention. Poet Ilya Kaminsky wrote “This is a beautiful, urgent book.” Brown is also the author of the poetry collection, The Virginia State Colony for Epileptics and Feebleminded (Persea Books, 2017), which won the 2016 Lexi Rudnitsky First Book Prize and was named a New York Times Critics’ Top Book of 2017. Critic Dwight Garner called the book, “part history lesson, part séance, part ode to dread. It arrives as if clutching a spray of dead flowers.”
Hayes Davis is the author of Let Our Eyes Linger (2012), poetry examining his life as son, grandson, father, husband, artist, and schoolteacher while exploring racial identity and the plight of black men. Poet Toi Derricote wrote that “Davis’ poems invite comparisons with Robert Hayden and Gwendolyn Brooks’ poems of 20th century family life.” He teaches at the English and serves as the assistant director of Institutional Equity, Access, and Belonging at Sandy Spring Friends School .
Here is the program for this evening’s Irish Evening.
HoCoPoLitSo’s 44th annual Irish Evening of Music and Poetry on Friday, February 11, 2022 at 7:30 p.m. features an amazing roster of Irish writers sharing their memories of past visits. Colm Tóibín, Alice McDermott, Colum McCann, Mike McCormack, Vona Groarke, Theo Dorgan and Paula Meehan will virtually grace our stage, along with music by O’Malley’s March and step dancers from the Teelin Irish Dance Company. General admission is $20 and available at the Howard Community Box Office, https://ci.ovationtix.com/32275/production/1095249 or by calling 443.518.1500.
The evening program, co-chaired by Anne Reis and Ed Young and hosted on Zoom this year, begins with a pre-show at 7:20 p.m. and will pay tribute to Irish evenings of the past and introduce poet Mary Madec. The evening includes an introduction by Daniel Mulhall, Ireland’s Ambassador to the U.S, music by O’Malley’s March fronted by former MD. Governor Martin O’Malley, and award-winning dancers from the Teelin Irish Dance Company.
Six writers to have previously visited HoCoPoLitSo will share tributes to departing Irish chairperson, Catherine McLoughlin Hayes, and the founder of Irish eve, Padraic Kennedy, and read from their award-winning works. Vona Groarke, who visited in 2019, is the author of ten books of poetry and winner of numerous awards. Colum McCann, who visited both 1999 and 2013, received both the National Book Award and the Dublin Literary Award. His most recent book, Apeirogon, was longlisted for the Booker Prize. Poet and playwright Paula Meehan also visited twice, in 2000 and 2014. Theo Dorgan, who visited in 2014, is a poet, writer, lecturer, translator, and documentary screenwriter. Alice McDermott, who visited in 2020, was nominated three times for the Pulitzer Prize and was a recipient of the National Book Award. Colm Tóibín visited in 1999 and again in 2011. A winner of the Dublin Literary Prize, Tóibín received the 2021 David Cohen Prize for Literature, a lifetime achievement award. Mike McCormack visited us in 2018 and his newest novel, Solar Bones, won the Dublin Literary Award. Newcomer Mary Madec’s third poetry collection is The Egret Lands with News From Other Parts (2019).
“Right here, right now is where we draw the line. The world is waking up. And change is coming whether you like it or not.” — Swedish climate activist Greta Thunberg, age 18
Change is coming, both in the climate, and with luck, in human behavior. Reading about climate change is frightening, and sometimes shuts people down. But as many climate activists have explained, there is hope.
Environmental and animal activist Jane Goodall said it well: “I do have reasons for hope: our clever brains, the resilience of nature, the indomitable human spirit, and above all, the commitment of young people when they’re empowered to take action.”
But reading alarmist nonfiction doesn’t always reach the heart. Story, however, seems to sneak through our defenses and climb straight into our souls. Climate fiction, a genre of literature sometimes shortened to “cli-fi,” pioneered with J. G. Ballard’s novels of climate change (especially the 1962 classic The Drowned World) and Frank Herbert’s 1965 novel Dune.
Since March 2019, HoCoPoLitSo and climate educator Julie Dunlap have led a climate fiction book club through the Howard County Library. Attenders are interested in literature that explores the facts and mysteries of Earth’s changing climate, and have read and discussed eight incredible novels over two years.
We’re mixing things up in January, and have chosen to read the award winners of a climate fiction short story contest sponsored by Grist Magazine’s Fix Solutions Lab. Organizers of the contest, Imagine 2200: Climate Fiction for Future Ancestors, urged writers to envision the next 180 years of equitable climate progress.
Sponsored by the National Resources Defense Council, the contest is “an uprising of imagination,” as Fix describes it. The winning stories, a collection of a dozen short pieces of fiction by authors including Black, Indigenous, disabled, and queer authors, conjure hope, anger, frustration, joy, and contemplation about the future of our planet in the impending climate crisis.
“Whether built on abundance or adaptation, reform or a new understanding of survival, these stories provide flickers of hope, even joy, and serve as a springboard for exploring how fiction can help create a better reality,” writes Tory Stephens, who works at Fix and spearheaded the contest.
Join us in reading a dozen of these stories and discussing them on Jan. 6, 7 to 8 p.m., at the Miller Branch Library. Register here. The stories, and a terrific glossary of cli-fi terms, including afrofuturism (looking at you Octavia Butler), solar punk and ecotopia, are available here.
blog post by Susan Thornton Hobby, HoCoPoLitSo recording secretary and a leader of the Inconvenient Book Club