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Wilde Readers of November: Heidi Mordhorst & Victoria Adams-Kennedy

HoCoPoLitSo welcomes all to the November edition of the Wilde Readings Series, with Heidi Mordhorst and Victoria Adams-Kennedy, hosted by Ann Bracken. Join us at the Columbia Art Center on Tuesday, November 14th at 7 p.m., at 6100 Foreland Garth, Columbia, MD 21045. Please spread the word— bring your friends, family and students! Light refreshments will be served and books by the readers available for sale.
An open mic follows the featured authors and we encourage you to participate. Please prepare no more than five minutes of performance time, about two poems. Sign up when you arrive, or in advance by calling the Columbia Arts Center at (410)-730-0075.
Below, get to know Heidi and Victoria!
Who is the person in your life (past or present) that shows up most often in your writing?
Heidi: They show up often, my mom and my dad. They do not mean to, but they do.
Victoria: It’s not just one; It’s my mother and her seven sisters. I learned so much from watching them and eavesdropping on their conversations. Their distinct personalities make them perfect subjects.
Where is your favorite place to write?
Heidi: I have a comfy sofa in a pleasant room in our new 1925 house in East Silver Spring.
Victoria: The Last Resort Artist Retreat in Baltimore. It’s a serene environment with beautiful artwork.
Do you have any consistent pre-writing rituals?
Heidi: Only the one, and it’s not exactly intentional or consistent: as I’m waking, or as I’m brushing my teeth, or as I’m shampooing, or as I’m pointing a hot noisy hairdryer at my head, something will come to me. Most recently a poem title: A Revision Is Required.
Victoria: I’m inspired by character traits that are most often attributed to members of my family or my childhood community. There were lots of colorful characters in my neighborhood. I draft characters who are composites of those people and their circumstances. Then the story comes and I sit down to write.
Who always gets a first read?
Heidi: Most often the trusted members of my critique group. They are fans, but they ask me hard questions as well, which generally carry the message, “You have made this way more complicated than it needs to be.”
Victoria: One of my aunts or a member of Zora’s Den, my writers’ group I founded in 2017.
What is a book you’ve read more than twice (and would read again)?
Heidi: Hmmmm. I rarely pick up an adult title more than once (although there are poems I never get tired of)—but there are many books written for young readers that I return to again and again. A recent favorite is GREEN ON GREEN by Dianne White, illustrated by Felicita Sala.
Victoria: The first to come to mind is Indigo by Beverly Jenkins. It is one of many.
What is the most memorable reading you have attended?
Heidi: I’m a relative newbie to public readings. I haven’t been to many live readings and I’ve read at very few! I did have a memorable time hearing Lucille Clifton read at the Dodge Poetry Festival one year—but which year?
Victoria: A reading by Terry McMillan at the Enoch Pratt Library in Baltimore City. She was engaging through her work and her commentary. And she had command of the room with humor and insight.
• Heidi Mordhorst is the author of two collections of poetry for young readers and contributions to
journals and anthologies for both adults and children, most recently Poetry by Chance and Dear
Human on the Edge of Time: Poems on Climate Change in the US. She taught in public schools for
35 years and recently served on the NCTE Excellence in Poetry Award Committee. She now offers
multi-arts poetry programming for young writers through WHISPERshout Writing Workshop.
Heidi can be found online at her blog, my juicy little universe, on Facebook and Bluesky, and at the homepage of her youth writing workshop, WHISPERshout.
• Victoria Adams-Kennedy writes about the complexities of Black Love. Her first novel, Sometimes
Love, was published in 2017 by Brown Girls Books. She is the founder of Zora’s Den, a group for
black women writers for which she co-edited The Fire Inside, Volumes I & II. Victoria holds an MFA
in Creative Writing & Publishing Arts from the University of Baltimore. Her work has appeared in
midnight & indigo and TORCH Literary Arts.
Victoria can be reached at Facebook or Instagram, both under the account @victoriaadamskennedy.
Announcing: the Howard County Poet Laureate!

UPDATED 1/10/2024: The Poet Laureate submission deadline has been extended to Monday, January 22, 2024.
HoCoPoLitSo is excited to announce the establishment of the first-ever position of Howard County Poet Laureate, created in partnership with the Howard County Arts Council to elevate poetry in the consciousness of Howard County residents and to join in celebrating the literary arts— now open to eligible applicants residing in Howard County!
The Poet Laureate is an honorary two-year position, in service to the community, formally appointed by the County Executive based on a recommendation made by an artistic and community panel selection process coordinated by HoCoPoLitSo.
During their term, the Poet Laureate acts as an advocate for poetry, literature, and the arts and contributes to Howard County’s poetic and literary legacy through public readings and participation in civic events. The next—and first!—Poet Laureate will serve from April 2024 through March 2026 and will receive a stipend of $5,000 per year of service, and up to $500 per year for reimbursable expenses related to the Poet Laureate’s activities.
The Howard County Poet Laureate Program is a partnership between Howard County Poetry & Literature Society with the Office of County Executive Calvin Ball and the Howard County Arts Council. To learn more about the program please visit the HCAC program landing page here or review the program guidelines available therein.
Eligible candidates may apply now by clicking HERE! Deadline for submissions is January 9, 2024. UPDATED: deadline for submissions has been extended to Monday, January 22, 2024.
Wilde Readers of October: Odessa Rose & Deborah Kalb

HoCoPoLitSo welcomes all to the October edition of the Wilde Readings Series, with Odessa Rose and Deborah Kalb, hosted by Linda Joy Burke. Join us at the Columbia Art Center on Tuesday, October 10th at 7 p.m., at 6100 Foreland Garth, Columbia, MD 21045. Please spread the word— bring your friends, family and students! Light refreshments will be served and books by the readers available for sale.
An open mic follows the featured authors and we encourage you to participate. Please prepare no more than five minutes of performance time, about two poems. Sign up when you arrive, or in advance by calling the Columbia Arts Center at (410)-730-0075.
Below, get to know Odessa and Deborah!
Who is the person in your life (past or present) that shows up most often in your writing?
Odessa: Until my latest novel, “Kizmic’s Journey”, no one in my life has ever showed up in my books. In “Kizmic’s Journey,” I wrote about my family’s church, so I had characters that were based on them in the book, in particular my uncle who was the Bishop of our church until his death.
Deborah: Various versions of myself.
Where is your favorite place to write?
Odessa: My favorite place to write is in my home office. My family are in the house with me and I like being close to them. My husband lets me bounce ideas off him. My daughter often comes in my office and tells me about her stop motion scripts or films that she is working on. My sons stop in to give me hugs and kisses. I know I can probably get more done if I worked some place else, but I am most creative when I’m home.
Deborah: My home office, at my desktop computer.
Do you have any consistent pre-writing rituals?
Odessa: Research is my only pre-writing ritual. I love to research because I love learning new things. I like discovering things about my characters and the many themes that run through my novels.
Deborah: Taking long walks and contemplating what my characters might do next.
Who always gets a first read?
Odessa: My husband always gets the first read. Often times I wake him up in the middle of the night to discuss something going right or wrong with the book. So, he deserves the first read.
Deborah: A few of my family members and a couple of close friends.
What is a book you’ve read more than twice (and would read again)?
Odessa: Toni Morrison’s “Song of Solomon” is a book I’ve read over and over and over again. I love Morrison’s writing. I love the imagery in “Song of Solomon.”
Deborah: The Pursuit of Alice Thrift by Elinor Lipman.
What is the most memorable reading you have attended?
Odessa: The most memorable reading I’ve attended is when Terry McMillan came to Morgan State University when she was on tour for “Waiting To Exhale.” I had just had an operation and was supposed to stay in bed, but when I learned that Terry McMillan was coming to town, I got up and went. I somehow forgot my book, but she signed my ticket, and I got a picture of her with my friend. I will never forget that day.
Deborah: Various book events featuring my father, Marvin Kalb, who is 93 and still writing books.
• Odessa Rose received her B.A. in English from Coppin State University and her M.A. in Literature from the University of Maryland at College Park. She is the author of Water In A Broken Glass, which was her first novel. This intriguing story captured the #6 spot on the On-Demand Best Seller list, received the Just About Books Annual Book Award, is ranked #17 on Accredited Online Colleges’ 20 Essential Novels For African-American Women list, was recorded for the Maryland School for the Blind, is included in The Greenwood Encyclopedia of Multiethnic American Literature, Ethnic American Literature: An Encyclopedia for Students, and Black Like Us: A Century of Lesbian, Gay, and Bisexual African American Fiction.
In 2018, Water In A Broken Glass was adapted into an award-winning feature film called Water In A Broken Glass. Her second novel, In the Mirror received the African American Expo Award for Fiction. Rose is a member of the Black Writers Guild of Maryland. She is also the co-creator of the television magazine, This Is Baltimore, Too. She resides in her hometown of Baltimore with her husband and three children. You can find Odessa and links to all her social media pages at odessarose.com.
• Deborah Kalb is a freelance writer and editor. She spent about two decades working as a journalist in Washington, D.C., for news organizations including Gannett News Service, Congressional Quarterly, U.S. News & World Report, and The Hill, mostly covering Congress and politics. Her book blog, Book Q&As with Deborah Kalb, which she started in 2012, features hundreds of interviews she has conducted with a wide variety of authors.
She is the author of the forthcoming novel Off to Join the Circus (Apprentice House, 2023), as well as three novels for kids, Thomas Jefferson and the Return of the Magic Hat (Schiffer, 2020), John Adams and the Magic Bobblehead (Schiffer, 2018), and George Washington and the Magic Hat (Schiffer, 2016) — and she’s the co-author, with her father, Marvin Kalb, of Haunting Legacy: Vietnam and the American Presidency from Ford to Obama (Brookings, 2011). She is the author/updater of Elections A to Z, 5th edition (CQ Press/SAGE, 2022), the editor of the two-volume reference book, Guide to U.S. Elections, 7th edition (CQ Press/SAGE, 2016), the co-author of The Presidents, First Ladies, and Vice Presidents (CQ Press, 2009), and the co-editor of State of the Union: Presidential Rhetoric from Woodrow Wilson to George W. Bush (CQ Press, 2007), and has contributed updates to a variety of other CQ Press books on politics and government.
Deborah can be found online at deborahkalb.com and on Twitter @deborahkalb, Instagram @deborahskalb, and on Facebook.
Freedom to Read Roundtable

Would you like to support the essential right to read?
Then join HoCoPoLitSo for our 2023 Lucille Clifton Reading Series offering: the upcoming Freedom to Read Roundtable, presented in partnership with Howard County Library System (HCLS).
Come to the Miller Branch at 1:30 p.m. for a thoughtful discussion and readings by Maryland Poet Laureate Grace Cavalieri and distinguished poet and publisher Truth Thomas, then stay at 2:30 p.m. to watch and participate in the virtual roundtable panel discussion with National Book Award-winning author, musician, and screenwriter James McBride, Washington Post satirist and author Alexandra Petri, renowned historian and author Dr. Richard Bell, and American Library Association President Emily Drabinski.
All in-person attendees receive a complimentary copy of The Heaven & Earth Grocery Store, the newest book from James McBride. Light refreshments will be served.
📅 Sunday, October 15
🕜 1:30 p.m. (in-person) and 2:30 p.m. (virtual)
📍 Miller Branch and Online
To register for the in-person event: bit.ly/FreedomToRead-InPerson
To register for the virtual event: bit.ly/FreedomToRead-Virtual
A Newark Childhood

Saturday September 30th at 2 p.m., please join HoCoPoLitSo Board Member David Hugo Barrett at the Miller Branch of the Howard County Library for a reading from his book “A Newark Childhood” and for a conversation between father and son about the memoir and the insights born of growing up in the fifties and sixties in Newark, New Jersey. Find a synopsis and excerpt at www.davidhugobarrett.com.
The 2023 Ellen Conroy Kennedy Poetry Prize

Held annually in loving memory of HoCoPoLitSo’s co-founder, the 2023 Ellen Conroy Kennedy Poetry Prize is now open to all entrants! Whether you are a life-time poet or have never written a line before, we invite you to share with us whatever moves you to poetry.
The author of the poem selected for first place will be awarded a cash prize of $500, celebrated on HoCoPoLitSo’s website, social media, and in our annual report— and have their winning poem published in The Little Patuxent Review and right here on HoCoPoLitSo’s front page.
To enter, click here, or visit the contest’s page to learn more or to read past winners’ poems. A reading fee of $10 per entrant supports a panel of fair and balanced judges.

The 2023 Bauder Lecture, featuring Nadia Owusu & Tope Folarin

This Thursday, September 21, 2023, HoCoPoLitSo proudly presents in partnership with Howard Community College and the Howard County Library System, the 2023 installment of the Bauder Lecture Series, featuring Nadia Owusu, author of “Aftershocks“, hosted by Tope Folarin, author of “A Particular Kind of Black Man“.
Join us for this free and public event, in person at the Horowitz Visual and Performing Arts Center on the HCC campus, or online streamed live via Vimeo at this link. The day’s events begin with a reading and keynote at 12:30 p.m., followed by a short reception and second reading at 6:00 p.m. Signed books will be available for purchase from HoCoPoLitSo to in-person attendees following both presentations.

The Bauder Lecture Series is made possible by a generous grant from Dr. Lillian Bauder, a community leader and Columbia resident. HoCoPoLitSo is a private nonprofit 501(c)(3) cultural arts organization designed to enlarge the audience for contemporary poetry and literature and celebrate culturally diverse literary heritages. HoCoPoLitSo receives funding from the Maryland State Arts Council, the Howard County Art Council through a grant from Howard County government, Community Foundation of Howard County, Dr. Lilian Bauder, the Reis Foundation, and from individual contributors like you.
For more information, visit the Horowitz Center event page available here— and be sure to check back right here for more literary events coming soon from HoCoPoLitSo.
let there be lit.
Wilde Readers of September: Adina Ferguson & Edward Belfar

HoCoPoLitSo welcomes all to the September edition of the Wilde Readings Series, with Adina Ferguson and Edward Belfar, hosted by Ann Bracken. Join us at the Columbia Art Center on Tuesday, September 12th at 7 p.m., at 6100 Foreland Garth, Columbia, MD 21045. Please spread the word— bring your friends, family and students! Light refreshments will be served and books by the readers available for sale.
An open mic follows the featured authors and we encourage you to participate. Please prepare no more than five minutes of performance time, about two poems. Sign up when you arrive, or in advance by calling the Columbia Arts Center at (410)-730-0075.
Below, get to know Adina and Edward!
Who is the person in your life (past or present) that shows up most often in your writing?
Adina: I’d have to say my Mom shows up in my work a lot (more). Whether it’s a paragraph or whole essay, Connie is getting her shine (LOL). I’m often writing about growing into womanhood and my mom has definitely had an influence in that area. And of late, my therapist has become a character in my work. So much so that she’ll slide in a “It’s fine. You can write about me in your next story” when we have a “heavy” session and I want to quit her.
Edward: I am primarily a fiction writer, and all my characters are composites, drawn from various sources, including direct experience, things I heard about second- or third-hand, my reading of fiction and nonfiction, and my imagination. There is never a one-to-one correspondence in my fiction, such that Character X equals Real Person Y. The closest I might come to that is imagining how someone like Real Person Y might respond to a situation faced by Character X, but when I do that, I often find that Character X surprises me in a way that Real Person Y probably would not.
Where is your favorite place to write?
Adina: The Purple Room aka my home office/guestroom is my writing sanctuary. I was very intentional with the artwork I put on the walls, the photos I have on the bookshelf, my goal board, the color scheme.
Edward: I have made part of our basement into an office, in which I have a desktop, a printer, and many reference books. I do most of my drafting there. I like to edit on paper, though, and I often do that at the dining room table.
Do you have any consistent pre-writing rituals?
Adina: Before I can get in a good writing groove, I like to listen to one of my Spotify playlists of R&B songs and then I’ll switch to YouTube to watch a few Jodeci videos. I’m a big 90s/2000s R&B fan. And so I pretty much have a little mini concert before I finally get down to business (professional procrastinator here). All the while there’s a candle burning in the background. I like tapping into a few senses first.
Edward: I do not.
Who always gets a first read?
Adina: I’ll drop a message in the group chat with my best friends, Davie and Marquetta. But the way everyone’s lives are set up, it comes down to whichever of them is available. We went to the same arts high school and were in the same department. So, I value their feedback as fellow writers who happen to be my sisters for life.
Edward: My wife Kathleen always gets a first read. Without her support and encouragement, I doubt that I would have been able to persevere through all the rejection, disappointment, and frustration to publish two books. At the same time, she is an astute critic and will not hesitate to tell me if she finds a false note in something I have written.
What is a book you’ve read more than twice (and would read again)?
Edward: Many books fit that description. One that comes readily to mind, because it is both eerily prescient and hilarious, is Walker Percy’s Love in the Ruins. It was very much on my mind when I was writing my novel A Very Innocent Man.
What is the most memorable reading you have attended?
Adina: Oooh, that’s a great question! I can’t narrow it down to one event but I will say I always have a great time when I attend Zora’s Den’s “In Our Own Words” Reading series in Baltimore. There’s an indescribable feeling when you hear Black women share their lives with you. The voices, styles, experiences are so eclectic. I’m always finding new writers to fangirl over and honestly, it’s just a whole vibe of sistahood!
Edward: It is hard to pick one, as I have attended many memorable readings, both in person and online. One that does stand out in my mind, though, even after many years, was given by the late Amiri Baraka when I was in graduate school at SUNY/Stony Brook. He was as great a performer as he was a poet. Without singing a note, he made an instrument of his voice and transformed the poems that he read into music. Until that night, I don’t think I had realized the power of the spoken word.
• Adina Ferguson is a Pushcart Prize nominated essayist, humorist, content writer and proud DC native. Her work centers around being black and woman and a single 30-something navigating life with therapy, old school TV, friends and family. She is the author of the essay collection, I Don’t Want to Be Your Bridesmaid, and has been published in Hippocampus Magazine, The Fire Inside Volume II, Midnight & Indigo, Very Smart Brothas, Defenestration, and more. Adina currently resides in Columbia, MD with her french bulldog, Kobi. You can find Adina at adinathewriter.com, on Instagram @adinathewriter or on the couch watching Good Times reruns.
• Edward Belfar is the author of two books of fiction. His novel A Very Innocent Man was published by Flexible Press in 2023. Wanderers, a collection of short stories, was published by Stephen F. Austin State University Press in 2012. His fiction and essays have appeared in numerous journals, including Shenandoah, The Baltimore Review, Potpourri, Confrontation, Schuylkill Valley Journal, and Tampa Review. He lives with his wife in Maryland and can be reached through his website at edwardbelfar.com.
The Spontaneity of Poetry at the HCLS H3 Carnival

On a sunny Saturday this past August 5th, HoCoPoLitSo brought poetry to people of all ages at Howard County Library’s H3 Carnival— that’s “Hi-Tech, How-to, Hands-on”. From kindergartners through teens and couples married for 30 years alike, all wrote poems with the help and prompts provided by HoCoPoLitSo volunteers.
Naomi Ling, a Bauder Youth student member of the board and award-winning poet, guided the poetry writing using tools such as Metaphor Dice, instructions on writing a ghazal, and “blackout poetry“, in which a page of text is redacted by the poet and a poem discovered within just the words they chose to remain. When visitors finished their poems, volunteers typed them up on an antique manual Olivetti Lettera typewriter using worn, vintage-looking paper. Visitors of all ages marveled at the typewriter and wrote poems so they could have an artifact of their efforts.

Susan Thornton Hobby, HoCoPoLitSo board member and recording secretary had this to say:
A rising sixth-grader with long hair wrote three poems over the course of the day, and kept returning with his work to have it typed up. I saw him wandering around the other booths with his paper and pen, gazing up at the ceiling, tapping his pen to his mouth, clearly thinking. Every once in a while, he would stop at a different booth and use their flat surface to write his poems. One of his poems was about the woods, about building forts and feeling the breeze through the leaves.
Another trio of teenagers collaborated on a poem and wanted just their initials as authors, and laughed as a volunteer typed it up, speaking their phrases out loud as they were struck on the Olivetti. A man wrote a ghazal, which is a poem that repeats a word at the end of each line in a different way. He chose the word light and wrote the poem for his wife, his “guiding light”.
Poetry can sometimes intimidate would-be writers, but by bringing poetry to people where they are, at a free carnival where “hands-on” was the theme, HoCoPoLitSo helped visitors to shake off those fears and jump in, going home with a record of their own art. I know of at least two refrigerators now graced with original poetry by the children of the household.
Naomi Ling shared the thought that titled this post:
What kind of heart is cocooned? What kind of family is a lethargic drum? Questions like these swarmed the HoCoPoLitSo table, where eager kids rolled dice with seemingly untethered, random words on them to make metaphors. Many times I’d glance at the kids’ parents— who were just as flabbergasted by the metaphors— and answer: “I don’t know . . . That’s just poetry for you.”
You see, poetry doesn’t beget intentionality. It manifests at the roll of a die or the scratch of a head, and all we can do is let it flow from there. I personally had a great experience trying to decipher strange word concoctions (and laughing at the worst ones random chance laid out) with guests at our table. Not only did it prove that anyone could indeed craft a metaphor, but anyone could craft a writer out of themselves. They just have to roll with it.

You can find many more photos of the day’s outings, poetic and otherwise, at the library’s Flickr album found here— and check back at this very page for information on more literary events coming soon from HoCoPoLitSo.
let there be lit.
Meet Chrissy Stegman — 2022 Second Place Winner of the Ellen Conroy Kennedy Poetry Contest
In 2021, Howard County Poetry and Literature Society launched the Ellen Conroy Kennedy Poetry Prize in honor of its founding member, Ellen Conroy Kennedy. Now in its second year, contest judges evaluated many submissions from poets in ten states and three countries for mechanics and technique, clarity, style/music for our contemporary age, imagery/sensory power, and emotional resonance. They noted in “Blue Irises” the creative use of form, the original approach to this poignant subject, the resonant voice of the speaker, and the powerful tension of the poem’s arc.
Tell us about your poem “Blue Irises” How did it come about? What sparked or inspired it?
I received my annual postcard in the mail from GBMC hospital, asking for donations to the NICU. It reminded me.
My youngest son was born early and via emergency c-section. When he arrived, he was whisked away to the NICU.
The poem came from this experience and from the despair I felt at being in the NICU to nurse him or see him whenever they allowed me but also, the other babies sometimes didn’t survive. It was a devastating juxtaposition, living in that space of life and death. It stayed with me.
What was an early experience where you learned that language had power?
That’s a difficult question for me to answer. I suppose it would be the hours I spent in various libraries as a child. Reading saved me so many times, supported me, gave me strength. The power was evident. Language can do that — it reminds me of a passage from The Bow and the Lyre (Octavio Paz): Man is a being who has created himself in creating a language. By means of the word, man is a metaphor of himself.
As a writer, what would you choose as your mascot/avatar/spirit animal?
My mascot would be pure crystalline silence. I have four school-aged kids in the home (one adult child out in the world) and it’s challenging to find the space and quiet to write and work things out. If not silence, then all of Rocky Mount and Ferrum, VA and the blackberry brambles there, the train tracks, and the cemetery. The Blue Ridge mountains? Take me home. Country roads.
Tell us about a writer or a book that you return to over and over for inspiration.
It’s always Elizabeth Bishop, Rilke, Harryette Mullen, Camus, Anne Carson, Theodore Roethke, Mark Strand, Larkin … I mean, it’s impossible to pick only one writer or book. The Order of Time by Carlo Rovelli is gorgeous.
What are you working on next and where can we find you?
Currently, I’m taking an advanced masterclass at the 92NY Unterberg Poetry Center, New York. I’m also working on a book of poems that offers an interactive quality for the reader and finishing up my first chapbook. I have two poems coming out in March (Gone Lawn) and May (Blue Heron Review) so 2023 is off to a great start.
I can be found on IG: thegoosefaerie and Twitter: @pimpledrose



