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Students across the nation are returning to their studies this fall in a time of fear and in methods that are bizarre. Most of them won’t board buses with their parents sniffing back tears on the sidewalk. They won’t giggle in clusters or eat in cafeterias. College students won’t be packing stadiums or gathering on the quad. This fall, hardly any students need new backpacks full of crisp lined paper and pointy pencils.
Instead, there are masks outside their homes, and Zoom inside. Instead, students are learning on their own. They’re sharing computers or borrowing them from schools. And freshly reopened wounds of systemic violence and racism against Black Americans are compounding the pandemic pain. Students are suffering in ways that adults can’t begin to understand.
HoCoPoLitSo can’t fix things. But we can offer a token of our appreciation of the circumstances. This week’s Poetry Moment is a shot in the arm from Jason Reynolds, New York Times bestselling writer of books such as Long Way Down, Patina and the rest of his track series, All-American Boys, and the Marvel Comics graphic novel Miles Morales: Spider-Man.
Reynolds, who grew up in D.C. and Maryland and had never finished a complete book until he was 17, used the power of poetry, rap, and his own determination to become an author. He’s now won the Walter Dean Myers Award, a Newbery, a Kirkus Prize, the Coretta Scott King Award, and an NAACP Image Award.
In this Poetry Moment, Reynolds reads from his book For Every One, a sort of pep talk in verse, recorded in 2018, long before a pandemic was dreamt of.
“This is a pep talk for me,” Reynolds explains. “This isn’t a book of answers, I don’t know how to fix it, but I do know how it feels to have it feel broken.”
His book isn’t a self-help book, he explains, because he doesn’t feel qualified to assist. In fact, he tells young people, he needs help to get done the things he does. Writing is difficult, Reynolds says. Without editors, he says, he wouldn’t be able to get by. “I still don’t know how to use a comma,” he says.
In his writing, he says, he tries to show his characters’ vulnerability and the difficulties that they’re facing. Just like students, he says.
“I tell the teachers, you have no idea what some of your students had to do just to get there,” he says.
Named in January as the Library of Congress National Ambassador for Young People’s Literature, Reynolds is evangelizing words as a power to change the world.
“The truth is, if we’re looking at history as our compass, it will show us over and over again that the way to change is through children. The way to change is through youth,” he said, in an interview after his appointment as ambassador.
His new book, Stamped: Racism, Anti-Racism, and You, is a remix for young people of Ibram X. Kendi’s National Book Award-winning Stamped from the Beginning: The Definitive History of Racist Ideas in America. In the first chapter, Reynolds explains what he’s hoping to talk about in the book: “This isn’t a history book. Or, at least, it’s not that kind of history book. Instead, what this is, is a book that contains history. A history directly connected to our lives as we live them right this minute. This is a present book. A book about the here and now.”
The here and now is pretty rough. And we don’t know how it’s going to turn out. But Reynolds is mindful of uncertainty. In fact, his books embrace an unconventional plot strategy. We never know whether Patina or any of the other characters from his series about a track team of runners, win their races. “They show up,” Reynolds says. And that’s enough.
Patina’s story, he explains, “doesn’t tie up in a neat bow, but none of my books do, only because I think life doesn’t do that. … I think it’s disrespectful of the reader to give away answers. I think our job is to lead them to the point where they can do the rest of the work themselves.”
Sending strength for the rest of the work to students, teachers, parents, and every one, from Jason Reynolds and HoCoPoLitSo.
— Susan Thornton Hobby
The Writing Life producer