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Poetry Slam Workshops with Lady Brion
Starting in February, the Howard County Library System is producing a series of four Poetry Slam workshops with social justice poet Lady Brion. HoCoPoLitSo is a supporting partner of this event.
Brion uses her poetry—focused on the black struggle, gender equality and women’s empowerment, and religious themes—to merge the space between art and activism.
Each session will focus on social justice, celebration in the midst of oppression, history, and then on March 23, the library will host an open mic. Register for each session separately.
The Anthem – February 16. Participants will explore writing celebratory unapologetic anthems about themselves, especially in the midst of an oppressive society that rarely gives space for anyone to express their fullest and truest identity. REGISTER.
Picketed – March 9. Participants will discuss the history of social movements and the way that radical demonstrations and protests can lead to change. This context will be used to have students create their own picket signs and craft a poem from it. REGISTER.
If these streets could talk – March 16. Participants will explore a social justice issue that is important to them by personifying a space, place, or object connected to their chosen social ill. REGISTER.
Open Mic – March 23. Participants will be encouraged to share poems created in one of the previous workshops or any other work that they have created. Host Lady Brion will feature sharing some of her social justice related works. REGISTER.
Lady Brion is an international spoken word artist, poetry coach, activist, organizer, and educator. Brion uses her poetry—focused on the black struggle, gender equality and women’s empowerment, and religious themes—to merge the space between art and activism. She has performed across the world including London, Ghana, Zanzibar and many of the American states. Her educational career includes teaching creative writing at the middle and elementary school level, coaching poetry teams in more than 10 institutions for the Louder Than a Bomb poetry program and residencies in more than 15 K-12 institutions. Brion is a board member for Dew More Baltimore, an art-centered nonprofit using spoken word as a tool to foster community and civic engagement.
Coffee-Stained Margins: a guest post by Eunice Braimoh
I had never heard of Marilyn Chin. But there I sat in the hazy Smith Theatre, listening to the petite, flip-flop-clad lady unfold her Chinese heritage, her voice’s rich resonance baptizing life into her words. Peppered with rhetorical questions and salted with snark, Marilyn Chin’s poetry invited the audience into conversation. As she discussed her experience with assimilation, I thought back to my years of insecurity with my Nigerian identity.
During my childhood, I tugged at my belly, my hair, my skin. I hunched in over myself. But I remember watching a spoken word from YouTube during youth group, the same lines which had echoed through my house the entire week prior because my mom, the youth leader, had been so fascinated by the video. Ears straining to keep up with the whiplash tempo, the laughing cadence, I snapped my fingers, riveted by the rain of spitfire, desperately beckoning the words barked out of the poets’ lips to be mine.
Slam poetry was alive.
A tandem of voice and pulse, spoken word went beyond sonnets and “thou”s and lofty declarations of love; it playfully teased out slant-rhymes and sidestepped the conventions of language. Poetry, I discovered, could be as unorthodox as I wished, and listening to the crowd of adroit artists (cough-SarahKay-PatrickRoche-BlytheBaird-OmarHolmon-cough) has since stirred a hunger.
Maybe I am looking for truth, naked and unholy. Maybe I write because I’m looking to sing what could be my gospel, to scream it in the shower, to spit it into the mic, to whisper it in an ear, to let it breathe ink and paper and dust.
While I write, I’ve knocked on Petrarch’s door, revisiting the poetry I once scoffed, imbibing in myself a greater appreciation for the art. Analyzing syntax and diction is what I love to do—maybe because I regularly eye my friends’ texts. (There’s a world of difference between “ok” and “Okay.”) While I am yet to be convinced that every inch of a poem is birthed from divine inspiration, I nevertheless believe that the spectrum of poetry—from spoken word to the coffee-stained margins—contains a delicateness that ought to be explored with careful hands and open eyes. As a writer, I wish to infuse electric vulnerability in my writing, inviting readers and listeners to unwind, to laugh, to have conversation.
As a writer exploring vulnerable curiosity, Eunice Braimoh wishes to symphonize conversation regarding race, gender, and diversity. When not effusively fangirling over slam poetry and intricate word-play, Eunice can be found writing (and rewriting) her own poetry and fiction. Previously recognized with two Regional Keys from the D.C. Metro Region, Eunice recently received a Silver Key for her poem “in which icarus does not drown”. She will be attending University of Maryland, College Park as an English major starting this fall.