HoCoPoLitSo’s guest for its annual Irish Evening on February 8, 2019, is the award-winning poet Vona Groarke, recipient of the 2017 Hennessy Hall of Fame Award for Lifetime Achievement. Groarke’s reading will be followed by a concert of Irish music and championship step dancing. During intermission, complimentary snacks and non-alcoholic beverages will be available. Irish coffee, specialty cocktails, and Guinness will be offered for sale beginning at 7 p.m. and during intermission. The program begins at 7:30 p.m. in the Smith Theatre of the Horowitz Center for Visual and Performing Arts on the campus of Howard Community College. A special two for one ticket promotion is in effect through January 8, 2019, with two tickets for $40. After January 8th, general admission tickets are $40 each. Tickets are available on-line (starting Nov. 23) https://www.brownpapertickets.com/event/3905864, by phone or mail. To purchase by phone, call 443-518-4568 or by mail, send a check and self-addressed envelope to HoCoPoLitSo, 10901 Little Patuxent Parkway, Horowitz Center 200, Columbia, MD 21044.
Vona Groarke’s most recent collection, Selected Poems, won the 2017 Pigott Prize for the best collection of poetry by an Irish poet. Noted as “brilliant and original” by the Irish Times, Groarke writes haunting and candidly sensual poems. At Irish Arts Center’s annual PoetryFest in New York, organizer and author Nick Laird extolled Groarke’s voice as “always modulated beautifully, assured and daring, often wry, (that) in the end keeps faith with the world.”
Groarke has published ten books, including a 2016 book-length personal essay, Four Sides Full and one translation, Lament of Art O’Leary (from an eighteenth-century Irish classic). A new collection of poems, Double Negative, is due in 2019. Her work has been recognized as one of Irish poetry’s “most consistently satisfying voices” (Agenda magazine) and “among the best Irish poets writing today” (Poetry Ireland Review). She has been the recipient of many prizes and grants, including the Brendan Behan Memorial Prize for her first collection, Shale (1994), the Michael Hartnett Award for Flight (2002), and is currently a Cullman Fellow at New York Public Library.
Groarke joins the long list of illustrious Irish authors HoCoPoLitSo has brought to Howard County audiences, including Frank McCourt, Colm Tóibín, Anne Enright, Colum McCann, and Emma Donoghue. For more than 40 years, HoCoPoLitSo’s Irish Evening has celebrated the substantial impact of Irish-born writers on the world of contemporary literature.
HoCoPoLitSo opens its literary season October 26 with “Ordinary Wonder: Three Poets on Writing and Reality,” featuring Michael Collier, Elizabeth Spires, and David Yezzi. The 2018 Lucille Clifton Reading Series highlights three Maryland poets with new, acclaimed collections. Collier, Spires and Yezzi will read and discuss their work beginning at 7:30 p.m. in the Monteabaro Recital Hall of the Horowitz Center for the Performing and Visual Arts on the campus of Howard Community College. Join us in celebration of HoCoPoLitSo’s forty-five years of literary programming at this year’s Lucille Clifton Reading Series. A book signing and wine and cheese reception will follow. The suggested donation for this event is $5.
The three poets, in their own ways, hold up the ordinary world to the light of poetry and examine everyday mysteries, both beautiful and horrible.
Michael Collier’s most recent collection is My Bishop and Other Poems (2018). Poet and professor A. Van Jordan wrote, “My Bishop and Other Poems reminds us of the power of the observant in an age when, too often, we move too quickly to notice the world unfolding around us. These poems bring a passion, an empathy, and a way of seeing I had forgotten was possible.” Collier’s other collections include An Individual History, a finalist for the Poet’s Prize, and The Ledge, a finalist for the National Book Critics Circle Award and the Los Angeles Times Book Prize. He is the director of the Creative Writing Program at the University of Maryland, a director emeritus of the Bread Loaf Writers’ Conferences, and a former Maryland Poet Laureate.
Elizabeth Spires‘ most recent poetry collection, A Memory of The Future (2018), was influenced by Zen and Asian art. The New York Times wrote of the work, “In these lyrical verses, Spires questions the quotidian, elevating the everyday to a meditational art form.” Spires’ other collections include Worldling, Now the Green Blade Rises, and The Wave-Maker. The author of six books for children, Spires lives in Baltimore and is a professor of English at Goucher College.
David Yezzi’s newest collection of poems is Black Sea (2018). Other collections include Birds of the Air, Azores, and The Hidden Model. Reviewing Birds of the Air (2013), Farisa Khalid noted the poem Orts “does something that many poems strive for but don’t quite get at, and that’s conveying with clarity the otherness of our world—the strange beauty of what we experience and the mystery of what we can’t always understand.” Yezzi has contributed poems and criticism to The New York Times Book Review, The Times Literary Supplement, The Wall Street Journal, The Paris Review, The New Republic, Poetry, The Yale Review, Poetry Daily, and elsewhere. Yezzi, who lives in Baltimore, is the editor of The Hopkins Review and poetry editor of The New Criterion, and chair of the Writing Seminars at Johns Hopkins University.
Three Poets On Writing and Reality
Michael Collier, Elizabeth Spires, and David Yezzi
Friday, October 26, 2018 – 7:30 p.m.
Monteabaro Recital Hall at the
Horowitz Center for the Performing Arts
Howard Community College
HoCoPoLitSo, a private, nonprofit literary organization, receives funding from the Maryland State Arts Council, an agency funded by the state of Maryland and the National Endowment for the Arts; Howard County Arts Council through a grant from Howard County government; The Columbia Film Society; Community Foundation of Howard County; and individual contributors.
During Olympics’ coverage when I was a kid, ABC’s genial Jim McKay used to do interviews with athletes called “Up Close and Personal.” Sure, ice skating and swimming competitions were cool to watch, but “Up Close and Personal” was always my favorite because those talks felt intimate.
HoCoPoLitSo’s own versions of “Up Close and Personal” are the workshops that acclaimed writers offer aspiring writers. During the 2018 Blackbird Poetry Festival, featured poets Marilyn Chin and Joseph Ross read their work during the afternoon and evening. But on the morning of April 26, Ross and Chin offered forty students a close-up version of writing and reading poetry.
Students from Howard Community College’s creative writing and English courses were assigned some of Chin’s poetry to read, and she brought those poems to life, reciting and reading works like “How I Got That Name,” in which she explains how her father repurposed her Chinese name, Mei Ling, to become Marilyn. As a dark brown Chinese child, she wasn’t beautiful and wasn’t honored, Chin explained to the students.
“I’m this little Chinese girl, born dark, underweight, a little weak. How shall I speak? I shall speak loudly,” Chin said. “I shall speak for that little brown girl who was unwanted.”
Chin and the students also talked about “loaded words,” like “slant” and “bitch,” and how Chin wants to repurpose those words and take the power away from the negativity that bigots have used.
“You can take the power back,” Chin promised.
When Joseph Ross claimed the microphone, he turned the tables and asked the students to write. “Every poem is political,” Ross said, because as Langston Hughes wrote, “Poets who write mostly about love, roses and moonlight, sunsets and snow, must lead a very quiet life.” Whether you choose to write about sunsets or sexual assault, snow or police brutality, those are political choices, he explained.
Then he asked students to write ten to fifteen-line poems including these phrases: line from a song, a phrase someone might hear on public transportation, words someone might speak in a kitchen, and title of a favorite book or poem or movie.
Sofia Barrios, who also read a powerful political poem during the afternoon reading, wrote a poem that logically incorporated the line, “Next stop, Glenmont.”
The next assignment Ross suggested was to write an apology that the author wanted to hear. One student wrote the apology her father should give to her. Another wrote an apology to his inner self that included the sentiment that he was sorry he didn’t believe in himself more.
After the workshop, Chin listened to one student’s story. Chunlian Valchar told Chin that as a baby girl born with a birth defect in China, her birth parents left her by the side of the road near the market. Valchar’s adoptive family wanted her, though, so Valchar said her situation was slightly different from Chin’s, but she still identified strongly with Chin’s work.
Chin enfolded Valchar in a hug, they took a photo and Chin left her with a simple thought: “You’re loved and cherished.”
Afterward, Valchar explained that she’s not really angry at her birth parents, since she doesn’t really know what they were going through. But she liked Chin’s poetry.
“It’s interesting to see a poet on paper, and then to hear the background,” Valchar said. “It’s more impactful to hear the back story.”
Up close and personal indeed.
Susan Thornton Hobby
HoCoPoLitSo board member
Google started with a good motto: “Don’t be evil.”
A new policy on the Google-owned YouTube channel though, seems like a teeny bit of corporate evil to thousands of small, independent channels.
The new policy, announced this week, forbids smaller channels to monetize their videos – earning pennies per view – because they don’t have enough subscribers or time that viewers watch their videos.
YouTube sent HoCoPoLitSo an email Jan. 17 that read as follows:
Under the new eligibility requirements announced today, your YouTube channel, hocopolitso, is no longer eligible for monetization because it doesn’t meet the new threshold of 4,000 hours of watchtime within the past 12 months and 1,000 subscribers. As a result, your channel will lose access to all monetization tools and features associated with the YouTube Partner Program on February 20, 2018 unless you surpass this threshold in the next 30 days. Accordingly, this email serves as 30 days notice that your YouTube Partner Program terms are terminated.
Grammatical errors aside – and those truly bother us literary types – the announcement is another cut that the arts cannot afford.
HoCoPoLitSo uses its YouTube channel to show editions of its writer-to-writer talk show, The Writing Life, featuring conversations with Nobel and Pulitzer winners, with local poets made good, with beloved authors like Lucille Clifton and Frank McCourt and Amiri Baraka who have died. Often, we have the most extensive interviews with writers like Gwendolyn Brooks; that’s because HoCoPoLitSo’s founder Ellen Conroy Kennedy had the foresight to begin recording the show to preserve – in a kind of literary time capsule – the moments of writers talking about their craft. Here is a smallest sample, the wonderful Stanley Kunitz talking about the value of poetry:
In a little more than a month, HoCoPoLitSo will be removed from the possibility of making tiny amounts of money on these shows that help fund the taping of new shows, like the one just uploaded featuring Laurie Frankel, and the digitization of archived shows, such as the Michael Longley and Edna O’Brien vintage gems that hit YouTube this week. HoCoPoLitSo usually makes only a few pennies per view, but in this current climate of reduced funding for the arts, HoCoPoLitSo needs every penny. YouTube revenues added a few hundred dollars a year to the budget; that amount could fund a visit by HoCoPoLitSo’s writer-in-residence to a high school.
What can literary lovers do? It’s not too hard. Help us reach the goal of 1,000 subscribers – the channel has 890 now – and 4,000 hours of watch time in a year. Subscribe. Try one episode of The Writing Life while you’re folding laundry or doing your New Year’s resolution sit-ups; Frank McCourt will make you laugh with stories of his Irish childhood, Tyehimba Jess will cause a brain explosion explaining and reading his three-dimensional poetry from Olio, dear Lucille Clifton will warm your heart and put a fire in your gut on five different episodes. Think of the time as a creative respite from the chaos of business and politics. And, as always, donate to help our small nonprofit bring literature to this capitalistic world, which sorely needs it.
Susan Thornton Hobby
Recording secretary and
YouTube channel manager
To subscribe to HoCoPoLitSo’s YouTube channel, click here and then click on subscribe (it’s free).
HoCoPoLitSo’s guest for its 40th annual Irish Evening on February 9, 2018 is the award-winning novelist and short story writer Mike McCormack, whose latest novel is a tour-de-force in a single sentence. McCormack’s reading will be followed by new and traditional Irish music by Narrowbacks featuring Jesse and Terence Winch, with stepdancers from the Culkin School. Irish coffee, Guinness and other beverages and snacks will be offered for sale beginning at 7 p.m. and during intermission.
Mike McCormack’s most recent novel, Solar Bones, won the 2016 Goldsmith’s prize, given to fiction with “qualities of creative daring,” and was longlisted for the 2017 Man Booker Prize. The book, which takes place in the mind of a middle-aged Irish civil engineer, has little punctuation and no chapter breaks, and Goldsmith’s chair of judges Blake Morrison said of the book, “its subject may be an ordinary working life but it is itself an extraordinary work.”
The Guardian subtitled their review “an extraordinary hymn to small-town Ireland.” The Times U.K. named Solar Bones one of the best fiction books of 2017 and noted that the novel, “follows meandering memories of his wife, his adult children and his work; these simple materials make for a beautiful and strangely compulsive read.” The Wall Street Journal also listed it as one of the best new books of 2017. Former Irish Evening guest novelist Colum McCann wrote, “With stylistic gusto, and in rare, spare, precise and poetic prose, Mike McCormack gets to the music of what is happening all around us.”
In 1996, McCormack won the Rooney Prize for Irish Literature for his first collection of short stories, Getting It in the Head. His novel Notes from a Coma was shortlisted for the Irish Book of the Year Award in 2006; in 2010, John Waters of The Irish Times described it as “the greatest Irish novel of the decade just ended.” Val Nolan noted in an article in Ariel (April 2012) “McCormack’s fiction is cerebral and often surreal, depicting a west of Ireland that moves beyond narrow, realistic interpretations and into spaces that exist outside of government and history.” McCormack has also published the novel Crowe’s Requiem (2012) and a short story collection, Forensic Songs (2012).
McCormack joins the long list of illustrious Irish authors HoCoPoLitSo has brought to Howard County audiences, including Frank McCourt, Colm Tóibín, Anne Enright, Colum McCann, and Emma Donoghue. For 40 years, HoCoPoLitSo’s Irish Evening has celebrated the substantial impact of Irish-born writers on the world of contemporary literature. The evening program begins at 7:30 p.m. in the Smith Theatre of the Horowitz Center for Visual and Performing Arts on the campus of Howard Community College. General admission tickets are $35 each; available on-line at http://www.brownpapertickets.com/event/3099986 or by sending a check and self-addressed envelope to HoCoPoLitSo, 10901 Little Patuxent Parkway, Horowitz Center 200, Columbia, MD 21044. Each ticket purchased by January 15, 2018, includes a complimentary adult drink.
HoCoPoLitSo works to cultivate appreciation for contemporary poetry and literature and celebrate culturally diverse literary heritages. The society sponsors literary readings and writers-in-residence outreach programs, produces The Writing Life (a thirty-minute writer-to-writer talk show), and partners with the public schools and cultural organizations to support the arts in Howard County, Maryland. For more information, visit www.hocopolitso.org.
Click here to download a pdf of this press release.
Wrap-up your holiday shopping at smile.amazon.com/ch/52-1146948 and Amazon donates to Howard County Poetry & Literary Society.
Wilde Readings, Columbia’s literary reading and open mic series, eagerly launches season two on September 12th at the Columbia Art Center. When poet and author Laura Shovan approached Linda Joy Burke and myself about starting a reading series in Columbia, we offered our full support. Because Wilde Readings is funded through private donations and a generous grant from HoCoPoLitSo and is housed in the Columbia Art Center in Long Reach, any concerns about funding and a venue disappeared. Before the three of us could begin the daunting yet exciting task of selecting authors for our first year’s lineup, we first solicited naming ideas from several of our friends in the writing community. While there were many names we liked, we selected Patricia VanAmburg’s suggestion to use Wilde Readings—a dual homage to Wilde Lake, Columbia’s first village, and Oscar Wilde, a writer known for both his wit and his bravery. His words, which appear as a tagline on our promotional materials, “A writer is a person who has taught his mind to misbehave,” capture the spirit of what we hope good writing encourages.
It was especially important to all of us that we present a variety of voices and styles, as well as represent the demographics of our area and balance male and female voices. With those parameters in mind, I hope you’ll agree that our 2016-2017 inaugural series fulfilled those goals and provided our audience with ten evenings of engaging, thoughtful, and provocative voices. Fiction was well represented when Jen Grow, Jan Bowman, Austin Camacho, and Susan Muaddi Daraj shared short stories and novel excerpts. Poetry and spoken word performances, both with political undertones, captured our audience’s attention when Michael Rothenberg, Ron Kipling Williams, Ken “Analysis” Brown, Maritza Rivera, and Shelly “Says So” Washington performed. Le Hinton had a most unusual approach to his rendition of poems from his “Cotton” collection—he passed around real cotton bolls for the audiences to feel both the velvet smoothness of the white fiber and the contrasting prickles of the supporting stamen and leaves. The remaining readings featured the impressive and highly regarded poetic voices of Grace Cavalieri, Merrill Leffler, Sally Rosen Kindred, Michael Ratcliffe, Nancy Naomi Carlson, Sue Ellen Thompson, Virginia Crawford, Sam Schmidt, and City Lit’s own Carla Dupree.
Wilde Readings’ lineup of literary artists for the fall of 2017 promises to be as engaging and diverse as our opening season. We kick off the series with Debbi Mack, New York Times best-selling author of the Sam McRae Mystery Series and Pat Valdata, whose most recent work, Where No Man Can Touch, is a book of persona poems in the voices of female aviation pioneers. In October, Michael Salcman, poet, physician, and art historian, will speak about his latest work, A Prague Spring, Before and After, along with his photographer, Lynn Silverman, a professor of photography at MICA. In November, we will feature the work of D.C. poet Henry Crawford reading from his inaugural collection, American Software, and Susan Sonde, author of several books and a two-time Pushcart Nominee and winner of numerous prizes and awards. We close out 2017 with Doritt Carroll, D.C. native and author of a new chapbook entitled Sorry You Are Not an Instant Winner and poet Alan King, Bowie, Maryland, resident and author of Point Blank and Drift.
This year, in addition to lining up an exciting roster of literary guests for Wilde Readings, Laura, Linda Joy, and I plan to reach out to local teens who aspire to become writers. We’d love to put together a roster of interested writers to participate in a dedicated teen night as part of Wilde Readings. Last year, Mahitha Vijily, a teen writer from Marriotts Ridge High School, saw our event in the local papers and decided to bring her family and her book of poetry to the April Wilde Readings event. She blew us away with her provocative voice and skillful use of language and even sold a few copies of her book, Thoughts of a Wildflower. We hope to engage more voices in the coming year.
When we open the fall series on September 12, 2017, at the Columbia Art Center at 7pm, Laura, Linda Joy, and I will be there to welcome everyone, sign up open mic readers, and introduce our featured authors. We hope to see many attendees from last year and anticipate welcoming new folks as well.
By Ann Bracken
“Wait! What? Frank O’Hara lived in Baltimore?! When? Where?”
That ‘Where?’ wasn’t really the question I had in mind as I had the address in front of me – 2044 Linden Avenue, not that I knew where it was off the top of my head. I did want to know when he had lived there and why and quickly found the answers to those questions from what I was reading – he was born at Maryland General and lived in Baltimore for the first year or so of his life. But where? I wanted visual connection. So I did what has since become reflex for this reader, I turned to google, typed in the address, and took a look. The map showed the location of Linden Avenue just off North Avenue. I’ve driven by there before; I never knew. I hit Street View and there it is, the childhood street of Frank O’Hara. Pretty cool, I thought.
I love it when the literary world and the everyday world meet. It brings literature to life, makes you think about what you read in a different way, and often deepens your understanding of both.
Another time I was reading the absolutely delightful New York Walks, Six Intimate Walking Tours of New York’s Most Historic Neighborhoods , editor). The 92nd Street Y put it out a while back, soliciting the expertise of their Talks and Tours program guides. These walks around the Big Apple are legend. The book is broken up into tours of different sections of NY/NY and a reader gets to worm their way along and learn about the place without taking a step if they are on some out-of-town couch. That is a nice feat in itself, but it is such a good book that makes you wish you were on the streets with each sentence. “Hey, wait a minute,” I thought and reached for google Street View once again. Pretty magic. There I was in lower Manhattan or in one of the carriage alleys near Washington Square. Click. Click. Look around. Click. Visual connection with what the page was sharing. Here’s a sample:
Return across Fifth Avenue (carefully! — you are mid block) for a glimpse of Washington Mews. Your view may be restricted by a closed gate, since the mews is privately owned, both the houses and the alley itself.
This cobblestone alley, built in 1831, provided Washington Square’s elegant houses with access to their private stables or carriage houses. With the rise of the automobile at the beginning of this century, these un-heated one- and two-story structures fell into disuse. Many were rented to artists who were willing to endure cold and any lingering equine scent, simple because the rent was cheap.
I found this trick works for novels, too. I was reading Colm Toibin’s The Blackwater Lightship and was so struck by the idea of the place that I hopped in someone’s google Street View car and took off for County Wexford to have a look for myself. Quaint, kind of stark, beautiful. Here are two shots from the road:
Can you imagine growing up there young and full of ambition?
In real life I associate my own experiences with what I am reading. I supply the picture that goes along with the author’s words. We all do it. It is one of the ways that we can get into a book and it can get into us. Reading is a shared effort between the projection of an author and the a reader’s ability to understand through their own experience-driven interpretation. I have found that I can enhance what I bring to my part of that task with a tool like Street View. It often gives me a sense of place that adds to the text something I might not otherwise be able to contribute. Landscape, architecture, the bustle of a place, the emptiness — these are some of the things you can see for yourself with the tool. It can be very helpful. I encourage my students to use it to enhance their own work with a text. It can help deepen their understanding. So, while you are making a list of supplies for the school year ahead, make sure to jot down google Street View. You’ll be one click away from anywhere you might want to check out for yourself.
HoCoPoLitSo, Board Co-chair
Recently, the siblings went through the home we grew up in. It was time to move on, that is to say, pack it all up and send it in new directions – keepsakes and sales. It is a task I wasn’t quite prepared for, a lot of work, certainly, but also an un-anticipatable rite of passage. Mom’s recently gone and dad has moved into a new place, size-suitable for one and already a wonderful nest of books with him heart and center. It is decorated with a number of precious memories, artifacts of the place that was, the life that is, time unstuck as it moves on, backwards and forwards in the present moment.
The sibling task, as you might imagine, was full of stories. Every single object had history. Our individual histories, our parent’s history, the family history. The six of us latched on to things that particularly resonated with our own hindsight, collected things that in an instant can take us back to the special place that is the family, that is growing into the world, gaining a sense of being from within the nestle of love and care and the forward tromp of formative years. Some of these stories we shared out loud. Some we let resonate in the silence within us, awed and full of emotion.
About this time it just so happened that I had picked up John Berger’s book Here is Where We Meet from one of my own shelves to have another go at reading. Grabbed it from a store when it came out and, for some reason, didn’t settle into it. The narrator visits/re-visits places important to his life and within those places re-meets those now dead who were once key to his own being. “The dead don’t stay where they are buried,” says his long-dead mother as she meets up with him in Lisbon for the first chapter. Pertinent, this time I was bewitched. Towards that chapter’s conclusion, she says, “Do us the courtesy of noticing us.” I love how a book casually picked up can provide such a parallel framework to where one is off the page. It is a breathtaking magic. My world was full of notice waiting to be noticed.
There’s a fork my Mother gave me a few years before she died. It is something that charmed me from the first time I saw it. There’s a curve to its tines, shaped over the decades and generations by vigorous beating against the side of mixing bowls, its mettle not full up to the task. When young, it was the curve that struck me – how cool – and I took in the science of the story: friction, hardness, softness. [Many years later, Mom would give me a copy of the The Dalkey Archive (Flan O’Brien) and I was amused by the bicycle-stealing policeman who was only being protective of the citizenry – you see, he understood the danger of friction and the exchange of molecules, bike riders and bikes shedding themselves into each other; he wanted to protect people from becoming bicycles. Hard to explain in a referentially clear way without the book in hand. Track it down, it’s a good read and will start you thinking. The fork, for us, was a perfect illustration of how this crazy idea was a truth.]
Later on I came to understand using that fork was a way the generations could hold hands across time, the gone and the present meeting in the mixed handle of effort. I’ll take it out and use it once in a while, though these days it is mostly artifact and talisman. All I have to do is look at it to reach back and hold on.
Going through the homestead I grabbed the copy of Wilkie Collins’ Tales of Terror and the Supernatural, a Dover Paperback. It reminded me of those Dover catalogues we’d pour through once the mailman brought them to us (see how memory spills out of things?). Opening it, a note in one of the end pages reminded me I had given it to her as a Christmas present in 1984. It is one I hadn’t read, so I set to the task. By the looseness of the pages, it seems like it had been read a couple of times and that comforted me. It seemed a way to share the space and mind of this person now physically gone from the place of living, a way to hold on to a connective something and pass time together again. I imagined how she would have taken to the stories, thrilling in parts, tedious in others, ever so English and of their time throughout.
Books are on the way out, or so I hear. Maybe I’ll be one of the last to hang on to them, especially the keepsakes from the childhood home, the ones the parents once held up to their faces. For me, they are part mirror/window still reflecting/looking on that time and person, a way to reach out and hold on to what was and what is as we all pass through living and linger in the stories of our interconnected lives, a way of noticing and perpetuating each other.
Tim Singleton, board co-chair
One of the rites of Memorial Day Weekend is the opening of public and private pools. The weekend, while not an entrance into summer proper, does set us thinking forward to a more leisurely pace in the days ahead, the cheer of those at waterplay, and, if you are like me, of summer reading. Who doesn’t like an hour or so poolside with a good book?
But pools aren’t just fun, games, or the odd hour with a novel in proximity. They do need their maintenance and the start of the season has me thinking back a few years where I loved being the one to volunteer for the weekly tasks of skimming and filter cleaning the communal family pool at the in-laws. I’d look forward to the Saturday morning activity, put on my shorts and bare feet, plug in the iPod headphones, and head on over to the task where I could use the forty minutes or so to catch up on poetry podcasts. I had discovered the Poetry Foundation’s Poetry Lecture series, thinking a touch of lesson with my work wouldn’t be bad, and found this opportunity for dedicated listening time. It was perfect: an outside activity, knocking off a chore, getting smarter in the process. That there is summer for me.
So, with the odd peeper, dragonfly, or spicebush swallowtail for company, I’d get at the task with Elizabeth Bishop, Kwame Dawes, Simon Oritz, or Dunya Mikhail in my head. Wow, what a joy. The work was mindless: scooping crepe myrtle blossoms, half pink, half beginning to brown, from the surface of the water, emptying the scuppers of that soup of older blossoms and twigs and maybe the bloated last bit of a frog that left its voice behind in its invisible, but ever so loud kin, and the sweeping of other debris from around the pool to keep it from becoming next week’s filter stew: I’d fill my mind with these voices and their work and what others had to say about it. That’s how I discovered the brilliant Ilya Kaminsky, who at the time orchestrated the series, often himself in conversation with the featured writers. I’d look at the lacework of light on the pool’s surface and delight in the mixture of activity and education, musing on what I was hearing. I’d be in awe of the skill and wisdom of those I was listening to: Eavan Boland, Rita Dove, Gary Snyder, Gwendolyn Brooks….
When Les Murray bubbled up in the news a few years ago, I went looking for him and found this gem and bubbled it up poolside into my ears. I loved listening to stories about Frank O’Hara — did I almost fall in? yup — and, then, there is this series of international poets in conversation that is just marvelous, a window into another part of the world that only poets and their work can seem to provide – here’s an example, and another. I might have stopped and rested my arms on the broom handle not to miss a word of some of those. There were so many treasures to discover. One of my all time favorites is when I learned that Elizabeth Bishop in her college days was picked up by the police under the suspicion of solicitation. OK. Listen for yourself in the link above.
Find yourself a pleasant chore to do, one that might last forty minutes or an hour, put on some headphones, and invite these great conversations to join you. You won’t be disappointed and you’ll find you might even be looking forward to that chore the next time it comes round. Happy listening.
Board Co-chair, HoCoPoLitSo
If you have your own list of literary podcasts to listen to, add it below in the comments and I’ll catch up with them. Another favorite of mine is the New Yorker series where one writer introduces another writer’s short story which they then read to you.
If video is your thing, check out HoCoPoLitSo’s own work of recording writers in conversation on our YouTube Channel where you will find a growing collection of episodes of The Writing Life. Here’s E.Ethelbert Miller to tell you a little about that:
Like the moths that flit thickly around their outdoor lights in rural Virginia, the words must fly around Carrie Brown and John Gregory Brown’s house on the campus of Sweet Briar College. Because not only Carrie and John are writers, but so is their daughter Molly McCully Brown.
Family lore holds that a tiny Molly used to wake in the middle of the night and call for her mother or father because a poem was waiting and she couldn’t yet write well enough to capture it. And she had two parental examples of how to live an adult life: Catch those words swooping around and write them down.
Molly’s first book of poetry won the 2016 Lexi Rudnitsky Prize, and starting in September, she’ll work as the inaugural Jeff Baskins Fellow at the Oxford American magazine.
John Gregory and Carrie Brown are returning to Columbia, the town where their family story started, for a reading to celebrate the fiftieth anniversary of the founding of this town. The pair of novelists met while working at the storied Columbia Flier, and then began their family and their careers as authors.
They’ll read together at an event June 4 at Slayton House that HoCoPoLitSo is calling “Of Stars and Hurricanes: Two Columbia Novelists Return.” Carrie Brown’s newest novel, The Stargazer’s Sister, centers on the life of eighteenth-century astronomer Caroline Herschel, while John Gregory Brown’s 2016 book A Thousand Miles from Nowhere follows a man fleeing the wreckage of his life in New Orleans after Hurricane Katrina.
Both authors’ main characters, while living in different centuries and countries, seek redemption, for a way to save themselves.
In her opening chapter, Carrie Brown writes that Caroline thinks “a girl was not taught anything that could save her in the larger world.” Desperate to escape an abusive mother and repressive poverty, Caroline is rescued by her elder brother, William Herschel, an astronomer who, with Caroline’s help, discovers Uranus and myriad comets. Carrie explains that the relationship of the siblings – in which Caroline so closely cares for her brother that she sometimes feeds him bits of bread and cheese while he keeps both hands and his eyes on the telescopes he manufactures – was “fertile material” for a novel.
The Boston Globe writes, “Carrie Brown takes up the real life saga of the Herschels and breathes fresh life into it in her lyrical and riveting new novel … .”
“Historical fiction fills in the spaces where history is silent,” Carrie explained at a recent reading in Baltimore. Carrie tells the Herschels’ story, massaging it into the arc of fiction, to “tell the other truth of their story.”
John Gregory Brown’s fiction is based in history – the horrible story of Hurricane Katrina – but is invented whole cloth. A former New Orleans professor loses his way, buys a store that becomes a gathering spot and exchange depot, then flees north ahead of the hurricane winds. “I am a wrecked ship,” the protagonist says in the novel. He winds up at a rural Virginia hotel owned by an East Indian widow, then discovers a community willing to lend him aid and an epic poem that might save his soul. The Boston Globe calls his book “…a tale of redemption that is both believably prosaic and incredibly, quietly moving … .”
The two novelists will read together and answer questions at this event, which also honors Ellen Conroy Kennedy, the founder and longtime executive director of HoCoPoLitSo, and her husband and longtime supporter and board member of HoCoPoLitSo, for their decades of contributions to Columbia’s cultural life.
For tickets, visit http://www.brownpapertickets.com/event/2725249.
For more information about Carrie Brown, visit http://authorcarriebrown.com/
For more information about John Gregory Brown, visit http://jgb.blog.sbc.edu/about/
For more information about Molly McCully Brown, visit https://mollymccullybrown.com/
— Susan Thornton Hobby