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Presenting Marilyn Chin — Tenth Annual Blackbird Poetry Festival — April 26
The Fierce Revolution of Marilyn Chin
HoCoPoLitSo and HCC’s Tenth Annual Blackbird Poetry Festival
Award-winning poet and author Marilyn Chin headlines the tenth annual Blackbird Poetry Festival for HoCoPoLitSo and Howard Community College (HCC). Born in Hong Kong and raised in Oregon, activist poet Chin unflinchingly explores the intersection of the Asian and American worlds.
The Blackbird Poetry Festival, held April 26, 2018, on the campus of Howard Community College, is a day devoted to verse, with student workshops, book sales, readings, and patrols by the Poetry Police. The Sunbird poetry reading, featuring Ms. Chin, as well as Washington, D.C., poet and educator Joseph Ross, local authors, and Howard Community College faculty and students, starts at 2:30 p.m. Ms. Chin will read from and discuss her poetry, including her most recent work, Hard Love Province, during the Nightbird Poetry Reading, starting at 7:30 p.m. in the Smith Theatre of the Horowitz Center for Visual and Performing Arts. Hard Love Province won the 2015 Anisfield-Wolf National Prize for Literature that confronts racism and examines diversity. Former winners of this prize include Martin Luther King, Jr. and Malcolm X, Toni Morrison and Maxine Hong Kingston, Gwendolyn Brooks and Oprah Winfrey. Nightbird admission tickets are $20 each (seniors $15 and students $10). Click here for tickets.
Marilyn Chin co-directs the MFA program at San Diego State University and has won numerous awards for her poetry, including from the Radcliffe Institute at Harvard, the Rockefeller Foundation, the National Endowment for the Arts, Stegner Fellowship, the PEN/Josephine Miles Award, four Pushcart Prizes, the Paterson Prize, and many others.
Chin is the author of four poetry collections: Hard Love Province (2014), Rhapsody in Plain Yellow (2002); The Phoenix Gone, The Terrace Empty (1994); and Dwarf Bamboo (1987). She is also the author of a novel, Revenge of the Mooncake Vixen (2009). Pulitzer Prize-winner and Anisfield-Wolf juror Rita Dove noted about Hard Love Province, “In these sad and beautiful poems, a withering portrayal of our global ‘society’ emerges – from Buddha to Allah, Mongols to Bethesda boys, Humvee to war horse, Dachau to West Darfur, Irrawaddy River to San Diego.” In his review of The Phoenix Gone in The Progressive, Matthew Rothschild said Chin “has a voice all her own — witty, epigraphic, idiomatic, elegiac, earthy…She covers the canvas of cultural assimilation with an intensely personal brush.” Booklist contributor Donna Seaman described the tone of Rhapsody in Plain Yellow as “Chin paces the line demarcated by the words Chinese American like a caged tiger, fury just barely held in check.”
Joseph Ross’s newest collection of poems, Ache, was published in 2017. Sarah Browning, director of Split This Rock, noted “The poems in Ache do just that, they ache – from the wounds inflicted by racism, from history’s ravages. The wail, the poems insist, ‘is the language/inside every tongue.’ Joseph Ross’s moral vision is unsparing, truth-telling, fierce.”
Did you know that it’s Be Kind To Editors and Writers Month?
A little kindness goes a long way in a writer’s life
We don’t ask much.
Twenty minutes quiet.
A red pen.
Writers and editors — and I count myself in both those groups — are fairly undemanding types. Unobtrusive, even. We’d much rather observe than be observed. We just need a little space and time to be alone with our mortal struggle with the writing gods. Though we wouldn’t say no to a cup of tea.
September was named Be Kind to Editors and Writers month by a low-rent Texas publishing house in 1984. Gentleman Vampire is one of their titles, and whew, that bloodsucker sure is handsome on the book cover! How that itty-bitty publisher got to name a month, I don’t know, but I guess they fall into the same category as the group that named February as Sweet Potato Month and May as Good Car Keeping Month. The editor in me wants to lower-case all those words, because they’re really not worthy of a whole month’s worth of honor, not to mention capitalization.
But we’re into marketing here at HoCoPoLitSo, and so we are wholeheartedly behind Be Kind to Editors and Writers Month. In fact, we’re kind to writers all year here at Let There be Lit headquarters; we’re known for our warm treatment of the ink-stained masses. There are clots of Irish authors, apparently, who sit around in pubs, drinking warm beer and raving about HoCoPoLitSo’s welcome. (Make sure you save the date for our fortieth celebration of Irish poetry and literature, the Irish Evening on Feb. 9, 2018.)
And as for editors – we are necessary nitpickers. It’s hard to be nice to someone who slashes away at your precious words. In fact, William Faulkner once wrote: “Only Southerners have taken horsewhips and pistols to editors about the treatment or maltreatment of their manuscript. This–the actual pistols–was in the old days, of course, we no longer succumb to the impulse. But it is still there, within us.” But sometimes, editors make good writing great.
So here’s to a month of kindness to editors and writers. Send us good thoughts of inspiration and hope. Buy your favorite editor a new pen. Watch the kids while we go to the Baltimore Book Festival (starting Sept. 22); they have terrific panel discussions (on the historical novel, and science fiction romance, and finding an agent, for example) and great readings (the Black Ladies Brunch Collective is reading from its new, hilarious and moving Not Without Our Laughter on Sunday, Sept. 24).
And this month – maybe not all year – give the editor or writer in your life a little respect.
Susan Thornton Hobby
Recording secretary, writer, and editor
Life, Death, and Social Media: Staying Human in the Digital Age with Author Laurie Frankel
Laurie Frankel’s Goodbye For Now
A Howard County Book Connection Event
Wednesday, November 1, 2017 • 1 p.m.
Rouse Community Foundation Student Services Hall, Room 400
Howard Community College
10901 Little Patuxent Parkway
Columbia, MD 21044
If you could connect with your beloved dead through technology, would you? Laurie Frankel’s novel, Goodbye for Now, is a love story with technology at its heart. Join us to hear Frankel read from her ground-breaking book at HoCoPoLitSo’s series celebrating ground-breaking poet and HoCoPoLitSo artistic advisor Lucille Clifton. Gather with a group of curious minds for this intriguing discussion. The New York Times said Frankel’s book, “extends the reach of technology just beyond our fingertips, where it feels possible.” This program is brought to you by the Howard County Book Connection; a partnership between Howard Community College, the Howard County Public Library System, and the Howard County Poetry & Literature Society (HoCoPoLitSo). A book signing will follow. Tickets not required.
Seniors can request transportation by calling 410.715.3087. For other accommodations, call 443.518.4568 by October 16
This event is free. Click here to register and let us know you are coming.
On Reading: School Supplies — Make Sure to Add Google Street View to Your List
“Wait! What? Frank O’Hara lived in Baltimore?! When? Where?”
That ‘Where?’ wasn’t really the question I had in mind as I had the address in front of me – 2044 Linden Avenue, not that I knew where it was off the top of my head. I did want to know when he had lived there and why and quickly found the answers to those questions from what I was reading – he was born at Maryland General and lived in Baltimore for the first year or so of his life. But where? I wanted visual connection. So I did what has since become reflex for this reader, I turned to google, typed in the address, and took a look. The map showed the location of Linden Avenue just off North Avenue. I’ve driven by there before; I never knew. I hit Street View and there it is, the childhood street of Frank O’Hara. Pretty cool, I thought.
I love it when the literary world and the everyday world meet. It brings literature to life, makes you think about what you read in a different way, and often deepens your understanding of both.
Another time I was reading the absolutely delightful New York Walks, Six Intimate Walking Tours of New York’s Most Historic Neighborhoods , editor). The 92nd Street Y put it out a while back, soliciting the expertise of their Talks and Tours program guides. These walks around the Big Apple are legend. The book is broken up into tours of different sections of NY/NY and a reader gets to worm their way along and learn about the place without taking a step if they are on some out-of-town couch. That is a nice feat in itself, but it is such a good book that makes you wish you were on the streets with each sentence. “Hey, wait a minute,” I thought and reached for google Street View once again. Pretty magic. There I was in lower Manhattan or in one of the carriage alleys near Washington Square. Click. Click. Look around. Click. Visual connection with what the page was sharing. Here’s a sample:
Return across Fifth Avenue (carefully! — you are mid block) for a glimpse of Washington Mews. Your view may be restricted by a closed gate, since the mews is privately owned, both the houses and the alley itself.
This cobblestone alley, built in 1831, provided Washington Square’s elegant houses with access to their private stables or carriage houses. With the rise of the automobile at the beginning of this century, these un-heated one- and two-story structures fell into disuse. Many were rented to artists who were willing to endure cold and any lingering equine scent, simple because the rent was cheap.
I found this trick works for novels, too. I was reading Colm Toibin’s The Blackwater Lightship and was so struck by the idea of the place that I hopped in someone’s google Street View car and took off for County Wexford to have a look for myself. Quaint, kind of stark, beautiful. Here are two shots from the road:
Can you imagine growing up there young and full of ambition?
In real life I associate my own experiences with what I am reading. I supply the picture that goes along with the author’s words. We all do it. It is one of the ways that we can get into a book and it can get into us. Reading is a shared effort between the projection of an author and the a reader’s ability to understand through their own experience-driven interpretation. I have found that I can enhance what I bring to my part of that task with a tool like Street View. It often gives me a sense of place that adds to the text something I might not otherwise be able to contribute. Landscape, architecture, the bustle of a place, the emptiness — these are some of the things you can see for yourself with the tool. It can be very helpful. I encourage my students to use it to enhance their own work with a text. It can help deepen their understanding. So, while you are making a list of supplies for the school year ahead, make sure to jot down google Street View. You’ll be one click away from anywhere you might want to check out for yourself.
HoCoPoLitSo, Board Co-chair
On Reading: Holding Hands with the Dead.
Recently, the siblings went through the home we grew up in. It was time to move on, that is to say, pack it all up and send it in new directions – keepsakes and sales. It is a task I wasn’t quite prepared for, a lot of work, certainly, but also an un-anticipatable rite of passage. Mom’s recently gone and dad has moved into a new place, size-suitable for one and already a wonderful nest of books with him heart and center. It is decorated with a number of precious memories, artifacts of the place that was, the life that is, time unstuck as it moves on, backwards and forwards in the present moment.
The sibling task, as you might imagine, was full of stories. Every single object had history. Our individual histories, our parent’s history, the family history. The six of us latched on to things that particularly resonated with our own hindsight, collected things that in an instant can take us back to the special place that is the family, that is growing into the world, gaining a sense of being from within the nestle of love and care and the forward tromp of formative years. Some of these stories we shared out loud. Some we let resonate in the silence within us, awed and full of emotion.
About this time it just so happened that I had picked up John Berger’s book Here is Where We Meet from one of my own shelves to have another go at reading. Grabbed it from a store when it came out and, for some reason, didn’t settle into it. The narrator visits/re-visits places important to his life and within those places re-meets those now dead who were once key to his own being. “The dead don’t stay where they are buried,” says his long-dead mother as she meets up with him in Lisbon for the first chapter. Pertinent; this time I was bewitched. Towards that chapter’s conclusion, she says, “Do us the courtesy of noticing us.” I love how a book casually picked up can provide such a parallel framework to where one is off the page. It is a breathtaking magic. My world was full of notice waiting to be noticed.
There’s a fork my Mother gave me a few years before she died. It is something that charmed me from the first time I saw it. There’s a curve to its tines, shaped over the decades and generations by vigorous beating against the side of mixing bowls, its mettle not full up to the task. When young, it was the curve that struck me – how cool – and I took in the science of the story: friction, hardness, softness. [Many years later, Mom would give me a copy of the The Dalkey Archive (Flan O’Brien) and I was amused by the bicycle-stealing policeman who was only being protective of the citizenry – you see, he understood the danger of friction and the exchange of molecules, bike riders and bikes shedding themselves into each other; he wanted to protect people from becoming bicycles. Hard to explain in a referentially clear way without the book in hand. Track it down, it’s a good read and will start you thinking. The fork, for us, was a perfect illustration of how this crazy idea was a truth.]
Later on I came to understand using that fork was a way the generations could hold hands across time, the gone and the present meeting in the mixed handle of effort. I’ll take it out and use it once in a while, though these days it is mostly artifact and talisman. All I have to do is look at it to reach back and hold on.
Going through the homestead I grabbed the copy of Wilkie Collins’ Tales of Terror and the Supernatural, a Dover Paperback. It reminded me of those Dover catalogues we’d pour through once the mailman brought them to us (see how memory spills out of things?). Opening it, a note in one of the end pages reminded me I had given it to her as a Christmas present in 1984. It is one I hadn’t read, so I set to the task. By the looseness of the pages, it seems like it had been read a couple of times and that comforted me. It seemed a way to share the space and mind of this person now physically gone from the place of living, a way to hold on to a connective something and pass time together again. I imagined how she would have taken to the stories, thrilling in parts, tedious in others, ever so English and of their time throughout.
Books are on the way out, or so I hear. Maybe I’ll be one of the last to hang on to them, especially the keepsakes from the childhood home, the ones the parents once held up to their faces. For me, they are part mirror/window still reflecting/looking on that time and person, a way to reach out and hold on to what was and what is as we all pass through living and linger in the stories of our interconnected lives, a way of noticing and perpetuating each other.
Tim Singleton, board co-chair
On Reading: It Might Be Me.
Recently, Tyehimba Jess posted an article on his Facebook that caught my attention. The TSA is starting to have people open up their carry on baggage and thumb through any books they might have brought along for the flight. The practice is being modeled in Missouri and California and expected to be expanded into airports across the country.
This idea struck me as problematic, not just because of the invasions of individual privacy – WHAT ARE YOU READING! WHY? – with the probing, but because, well, I tend to pack a lot of books.
Off to somewhere for a week? First, there are the travel books that detail things to see and do. I like the old Eyewitness series full of cut-away illustrations that point out picture perfect details. I’ll also pack a smaller, more efficient guide that shares the speedy info of top ten lists of Things To Do, or Eats, or Watering Holes. That’s mandatory. And maybe another kind because I like the way it’s written, you know, one of those with no pictures or just uninteresting line drawings, but sentences loaded with information. Maybe there’s a novel about the destination that I should have already read, or there’s some other work that’s just good travel writing on the locale. Except for the novel, this batch of must-have-along tomes is for the suitcase. Well, maybe not the smaller one, especially if it has a map to muse over through the flight.
Usually, when I am traveling I’ll take a book (or two) that I am just about to finish. Maybe I’ve saved the last stretch for just such an occasion. Maybe one of these books gets finished on the plane and the reading journey starts out on a high. One book down. These are perfect for the carry on. Maybe two. One down, reach for the next and you are done two books before landing. The vacation is already a success.
But I usually don’t jump right into the second almost-finished book in the air. My tactic is to start something new, get into it as the miles go by so that when the ground comes under my feet again, my mind is firmly settled into the read, ready to integrate it into the days and activities ahead. Since it is the beginning of the vaca, it will probably be something heady, something that will take a day or two to plunder, deep but maybe not quite out and out philosophy with frustratingly chewy sentences. Only enough to make me think, not work — this is vacation after all. The perfect book would be a tool to keep attention from when the wheels touch down through the bovine stand-still of disembarkation, however purposelessly long that might take. That’s three or four books so far. Not bad, certainly nothing too much to worry about.
I always have trouble deciding which books to pack in the suitcase, you know, the ones that will take me all the way through the length of the week. That’s five days worth of pages or maybe seven, depending on the trip. My mind says about twenty books should cover it. I’ve never read that many in a week and I never will, but I like to pack on the safe side. It gives me options.
Truth be told, I probably get out twenty books to take (the travel ones don’t count) and lay them out on the bed while I am packing. I will put a few back. Not really going to get to this one or that. A thousand pages? Who am I kidding? Certainly not me. Not this trip.
I’ll aim to get the suitcase load down to ten. Or eight. But then it might go back up when I remember poetry. Those volumes are thin and shouldn’t count as whole books, right?
Inevitably, I’ll finish the suitcase, having remembered clothes and toiletries at some point, zip it up, and start to wonder about my selection. If it didn’t zip up nicely, I might have to subtract a title or two, but I tend not to take books out of the suitcase once they are in, well, not usually. A week of clothing must factor in and, sigh, maybe some book gets saved for the next trip. If it strikes me that I have left out a particular subject, I’ll throw another book or two into the carry on. I need to be prepared.
Come time to board… actually, come time to go through this new security procedure, I may have seven or so books in the carry on, throw the Kindle on top. Maybe ten. Add a magazine. That should do it. (How many books am I traveling with overall? Don’t ask.)
What this all boils down to is an apology. If you find yourself late for a flight in the future and some jerk is holding up the security line, it might be me. I am so sorry. Inevitably, I’ll want to share all the reasons why each book was chosen with whoever it is that has been assigned to be curious about my reading. It might take a while. I like to gush. I like to ambassador reading. I’ll be talking to them about David Foster Wallace or James Baldwin or Mary Oliver or Zachary Lazar or the Nibelungenlied or….
Co-chair, HoCoPoLitSo Board
p.s. Packing for the return trip is slightly more problematic. You see, every destination has its own book stores.
On Reading: On Pool Cleaning, Poets, and iPods.
One of the rites of Memorial Day Weekend is the opening of public and private pools. The weekend, while not an entrance into summer proper, does set us thinking forward to a more leisurely pace in the days ahead, the cheer of those at waterplay, and, if you are like me, of summer reading. Who doesn’t like an hour or so poolside with a good book?
But pools aren’t just fun, games, or the odd hour with a novel in proximity. They do need their maintenance and the start of the season has me thinking back a few years where I loved being the one to volunteer for the weekly tasks of skimming and filter cleaning the communal family pool at the in-laws. I’d look forward to the Saturday morning activity, put on my shorts and bare feet, plug in the iPod headphones, and head on over to the task where I could use the forty minutes or so to catch up on poetry podcasts. I had discovered the Poetry Foundation’s Poetry Lecture series, thinking a touch of lesson with my work wouldn’t be bad, and found this opportunity for dedicated listening time. It was perfect: an outside activity, knocking off a chore, getting smarter in the process. That there is summer for me.
So, with the odd peeper, dragonfly, or spicebush swallowtail for company, I’d get at the task with Elizabeth Bishop, Kwame Dawes, Simon Oritz, or Dunya Mikhail in my head. Wow, what a joy. The work was mindless: scooping crepe myrtle blossoms, half pink, half beginning to brown, from the surface of the water, emptying the scuppers of that soup of older blossoms and twigs and maybe the bloated last bit of a frog that left its voice behind in its invisible, but ever so loud kin, and the sweeping of other debris from around the pool to keep it from becoming next week’s filter stew: I’d fill my mind with these voices and their work and what others had to say about it. That’s how I discovered the brilliant Ilya Kaminsky, who at the time orchestrated the series, often himself in conversation with the featured writers. I’d look at the lacework of light on the pool’s surface and delight in the mixture of activity and education, musing on what I was hearing. I’d be in awe of the skill and wisdom of those I was listening to: Eavan Boland, Rita Dove, Gary Snyder, Gwendolyn Brooks….
When Les Murray bubbled up in the news a few years ago, I went looking for him and found this gem and bubbled it up poolside into my ears. I loved listening to stories about Frank O’Hara — did I almost fall in? yup — and, then, there is this series of international poets in conversation that is just marvelous, a window into another part of the world that only poets and their work can seem to provide – here’s an example, and another. I might have stopped and rested my arms on the broom handle not to miss a word of some of those. There were so many treasures to discover. One of my all time favorites is when I learned that Elizabeth Bishop in her college days was picked up by the police under the suspicion of solicitation. OK. Listen for yourself in the link above.
Find yourself a pleasant chore to do, one that might last forty minutes or an hour, put on some headphones, and invite these great conversations to join you. You won’t be disappointed and you’ll find you might even be looking forward to that chore the next time it comes round. Happy listening.
Board Co-chair, HoCoPoLitSo
If you have your own list of literary podcasts to listen to, add it below in the comments and I’ll catch up with them. Another favorite of mine is the New Yorker series where one writer introduces another writer’s short story which they then read to you.
If video is your thing, check out HoCoPoLitSo’s own work of recording writers in conversation on our YouTube Channel where you will find a growing collection of episodes of The Writing Life. Here’s E.Ethelbert Miller to tell you a little about that:
On Reading: Cooking Is An Act Of Reading
I am trying to remember those first attempts. They had to be failures. Probably middle school home economics class where the disaster was no fault of the effort, but – and I can still taste this clearly – a bad ingredient from the classroom cabinet that had been there who knows how long before we read the recipe and reached for it. Bleck. Fortunately, we were graded on the effort and not the ingredient.
That probably wasn’t the first time I cooked, or helped out in a kitchen, but it probably was the first time I took a recipe, printed words on a page, read it and followed its instruction in an attempt to cook something into being. I wasn’t in on the secret then, but it wouldn’t have been long before I was smitten with the practice: cooking is an act of reading.
I would have first learned how to cook standing by my mother’s side, watching and helping here and there, marveling at what came out of her mind and hands. She knew her way along. Or so it seemed to me at the time. I now know there was a box of index cards in a container on the fridge top, and, of course, a book case along the wall that grew from time to time as a new series subscription began, expanding the family menu beyond the basics.
It is probably there that something really took hold, that bookcase and the words it held. I can remember Saturday afternoons, probably winter and gray with not much to do: I’d open the pages of one of the books in the Time Life series Foods Of The World and dig in.
Spellbound, I was traveling. I was delving into cultures. I was imagining creations and thinking they were just a listing of words away from appearing in the very room I was in. Actually, at first I was probably just looking at the pictures and wholly captivated, whether it was in consideration of a beautiful landscape from a far away place, a joyous collection of people being who they were wherever it was they lived, a collection of ingredients from what seemed like it had to have been another planet, not a part of the world I lived in (decades on, the grocery stores have caught up), and, of course, the food exactingly prepared and brightly photographed, though, looking back, nothing compared to the food porn poses of many a modern day Instagram account. I was smitten indeed. Eventually, probably after a year or two or three of drooling over images, maybe after having started to work in a local restaurant as a day cook, I reached for the picture book’s companion recipe volume and had a go. Such reading has been a life long endeavor since.
These days, I reach less for those quaint Time Life books, though there are recipes still in the repertoire (and, I’ll admit, they also take me time traveling back to childhood and the family kitchen, or at least lazy, dreamy Saturday afternoons). Over the years, they have given me the confidence and the inclination to pick up cookbooks and have a go at whatever I am looking at. My work in the kitchen won’t be masterly, but it often is enough to have taken words on a page and turned it into bright and happy taste.
Lately, I am enjoying reading and bringing to life the words of the Thug Kitchen series, and I want to make every recipe in Ottolenghi’s Plenty, a gift received from a friend after a visit – I’ll have perfected a few things for the next time they drop by. Moosewood’s books are go to favorites – I remember going to their restaurant once, ordering something and then, after that first taste, exclaiming too loudly, “I made this!” as if I had made that particular batch. At least that was the look on the faces of those around me. I had to explain that I had made the recipe before and it tasted as right proper from my hands as from the Moosewood kitchen itself.
There is nothing like a favorite restaurant’s cookbook, especially if the restaurant exists out of town: I have both the Vedge and Vstreet books as well as Zahav’s. Both bring tastes from far away to the kitchen table. There’s a cookie recipe from one of Emeril’s books that I have made a hundred times. I am not good at cakes, yet. Perhaps I need to start reading more dessert.
Some of my mother’s cookbooks have made it to my collection. They are cherished, though I am reading them differently than I once did. While there’s the personal nostalgia of the Time Life ones and the connection to my mother throughout, there are books in the collection I wasn’t as clued into at the time, particularly the ones generated by the women’s magazines of the day. They gave us some of the everyday recipes, more easy, economic fuel than edible taste, like tuna casserole — I would have never learned to love reading recipes into being had I started there. They also share a window on the culture in America back not that long ago, sexism and racism steaming off the pages in places. But that is a subject for a future post. For now, go grab yourself a cookbook and feast your eyes.
Carrie Brown and John Gregory Brown to Read in a Literary Celebration for Columbia’s 50th
HoCoPoLitSo and Wilde Lake Community Association present Of Stars and Hurricanes: Two Columbia Novelists Return. Former Columbia residents Carrie Brown and John Gregory Brown will read from their work at a celebration of literature’s history in this planned city. HoCoPoLitSo will also honor two of Columbia’s own forces of nature, Padraic and Ellen Kennedy, for their work creating a literary life in Howard County during this special event on June 4, 2017. A reception will follow.
Of Stars and Hurricanes will be held on June 4, 2017, beginning at 4 p.m.at Slayton House Theatre, 10400 Cross Fox Lane, Columbia, MD 21044. Admission tickets are $20 each available on-line at http://www.brownpapertickets.com/event/2725249 or by sending a self-addressed envelope and check payable to HoCoPoLitSo, 10901 Little Patuxent Parkway, Horowitz Center 200, Columbia, MD 21044.
Ellen Conroy Kennedy, a National Book Award finalist and the founder and director emeritus of HoCoPoLitSo, and Padraic Kennedy, the “unofficial mayor” of Columbia for 25 years, as the Columbia Association president from 1972 to1997, are long term Wilde Lake residents. Their support for the literary arts as Columbia developed through the years will be honored during this special celebration.
The Browns met while working for the Columbia Flier, married at Oakland Manor and lived in Wilde Lake for more than ten years. Both Browns live in Virginia and teach at Sweet Briar College. John, the author of four novels, has honors including a Lyndhurst Prize, the Lillian Smith Award, the John Steinbeck Award, and the Louisiana Endowment for the Humanities Book of the Year Award. Carrie, the author of seven novels, has received a National Endowment for the Arts fellowship, a Barnes & Noble Discover Award, the Janet Heidinger Kafka Prize, the Great Lakes Book Award, and, twice, the Library of Virginia Award.
Carrie Brown’s most recent novel is The Stargazer’s Sister, historical fiction about the nineteenth-century astronomer Caroline Herschel, sister of the more famous astronomer William Herschel. The Washington Post listed The Stargazer’s Sister as one of the best 50 books of 2016. Carolyn Leavitt of the Boston Globe noted, “Brown’s writing is as luminous as the skies her characters contemplate.”
John Gregory Brown’s newest novel, A Thousand Miles from Nowhere, follows the path of a Hurricane Katrina survivor seeking redemption. The New York Times Book Review noted it was “ … a deeply humane look at the vulnerability of black lives, the changing contours of the New South and the restorative potential of literature in the aftermath of catastrophe.”
For more than 40 years, HoCoPoLitSo has nurtured a love and respect for the diversity of contemporary literary arts in Howard County. The society sponsors literary readings and writers-in-residence outreach programs, produces The Writing Life (a writer-to-writer talk show), and collaborates with other cultural arts organizations to support the arts in Howard County, Maryland. For more information, visit www.hocopolitso.org.
HoCoPoLitSo receives funding from the Maryland State Arts Council, an agency funded by the state of Maryland and the National Endowment for the Arts; Howard County Arts Council through a grant from Howard County government; The Columbia Film Society; Community Foundation of Howard County; the Jim and Patty Rouse Charitable Foundation; and individual contributors.
What Am I Reading And Why? Diane Ackerman’s The Human Age.
Recently, I reached for something hopeful to read. I wanted to get out of the funky funk current affairs has had me in. I wanted a bigger picture, something that might observe, teach, and inspire. Basically, a tonic for these blues I have been dwelling in. I reached for Diane Ackerman’s The Human Age: The World Shaped By Us.
Open your imagination to how we began – as semi-upright apes which spent some of their time in trees; next as ragtag bands of nomadic hunter-gatherers; then as purposeful custodians of favorite grains, chosen with mind-bending slowness, over thousands of years; and in time as intrepid farmers and clearers of forests with fixed roofs over our heads and a more reliable food supply; afterward as builders of villages and towns dwarfed by furrowed, well-tilled farmlands; then as makers, fed by such inventions as the steam engine (a lavish power source unlike horses, oxen, or water power, and not subject to health or weather, not limited by location); later as industry’s operators, drudges and tycoons who moved closer to the factories that arose in honey-combed cities beside endless fields of staple crops (like corn, wheat, and rice) and giant herds of key species (mainly cows, sheep, or pigs); and finally as builders of big buzzing metropolises, ringed by suburbs on whose fringes lay shrinking farms and forests; and then, as if magnetized by a fierce urge to coalesce, fleeing en mass into these mountainous hope-scented cities.
That’s about as big picture as you can get, the 150 thousand or so years of Homo sapiens developing like a Polaroid right in front of your eyes. It is the kind of scope that shares what a grand thing life is and what we on the now end of existence should consider as we take on the seemingly insurmountable troubles of our own day. The tribe can survive, adapt, invent.
The book doesn’t pose a pretty picture — our current environmental concerns weigh heavy within it. But it doesn’t look at just the real, rough edges of how we live on Earth and how we treat our home. It also looks at ways we are currently taking on our challenges through imagination, ingenuity, persistence, care, action, and number – the world’s problems are not to be taken on individually, though that is often where engagement starts, but with a growing collective effort and resource. Some lead by expertise and example, others take it from there. In that light, it is inspiring. One reads as an individual, but as the pages turn, one realizes that they describe the efforts of your kin and kind hard at work to do the right thing and mind this wonderful home for all of us, making better today so that our story will carry on into the future.
Ackerman’s sentences are beautiful, full of words that touch up to each other perfectly as they flow into informative paragraphs and chapter-length essays. She has a wonderful sense of observation and detail. The way she names species specifically like the pearls they are, or identifies the detail of cultures or individuals she is describing are testament to her expertise on what she is writing about. It deepens one’s understanding of the world. It is clear and full of insight, compassion, and, yes, hope. I don’t know if it was an odd choice or not to reach for on a whim, but I am loving it and it is mending me.
Board Co-chair, HoCoPoLitSo