The Fierce Revolution of Marilyn Chin
HoCoPoLitSo and HCC’s Tenth Annual Blackbird Poetry Festival
Award-winning poet and author Marilyn Chin headlines the tenth annual Blackbird Poetry Festival for HoCoPoLitSo and Howard Community College (HCC). Born in Hong Kong and raised in Oregon, activist poet Chin unflinchingly explores the intersection of the Asian and American worlds.
The Blackbird Poetry Festival, held April 26, 2018, on the campus of Howard Community College, is a day devoted to verse, with student workshops, book sales, readings, and patrols by the Poetry Police. The Sunbird poetry reading, featuring Ms. Chin, as well as Washington, D.C., poet and educator Joseph Ross, local authors, and Howard Community College faculty and students, starts at 2:30 p.m. Ms. Chin will read from and discuss her poetry, including her most recent work, Hard Love Province, during the Nightbird Poetry Reading, starting at 7:30 p.m. in the Smith Theatre of the Horowitz Center for Visual and Performing Arts. Hard Love Province won the 2015 Anisfield-Wolf National Prize for Literature that confronts racism and examines diversity. Former winners of this prize include Martin Luther King, Jr. and Malcolm X, Toni Morrison and Maxine Hong Kingston, Gwendolyn Brooks and Oprah Winfrey. Nightbird admission tickets are $20 each (seniors $15 and students $10). Click here for tickets.
Marilyn Chin co-directs the MFA program at San Diego State University and has won numerous awards for her poetry, including from the Radcliffe Institute at Harvard, the Rockefeller Foundation, the National Endowment for the Arts, Stegner Fellowship, the PEN/Josephine Miles Award, four Pushcart Prizes, the Paterson Prize, and many others.
Chin is the author of four poetry collections: Hard Love Province (2014), Rhapsody in Plain Yellow (2002); The Phoenix Gone, The Terrace Empty (1994); and Dwarf Bamboo (1987). She is also the author of a novel, Revenge of the Mooncake Vixen (2009). Pulitzer Prize-winner and Anisfield-Wolf juror Rita Dove noted about Hard Love Province, “In these sad and beautiful poems, a withering portrayal of our global ‘society’ emerges – from Buddha to Allah, Mongols to Bethesda boys, Humvee to war horse, Dachau to West Darfur, Irrawaddy River to San Diego.” In his review of The Phoenix Gone in The Progressive, Matthew Rothschild said Chin “has a voice all her own — witty, epigraphic, idiomatic, elegiac, earthy…She covers the canvas of cultural assimilation with an intensely personal brush.” Booklist contributor Donna Seaman described the tone of Rhapsody in Plain Yellow as “Chin paces the line demarcated by the words Chinese American like a caged tiger, fury just barely held in check.”
Joseph Ross’s newest collection of poems, Ache, was published in 2017. Sarah Browning, director of Split This Rock, noted “The poems in Ache do just that, they ache – from the wounds inflicted by racism, from history’s ravages. The wail, the poems insist, ‘is the language/inside every tongue.’ Joseph Ross’s moral vision is unsparing, truth-telling, fierce.”