Regie Cabico and Chad Frame are the feature writers at the March Wilde Readings, a monthly community open mic supported by HoCoPoLitSo. Join Regie and Chad as well as other open mic readers for a free, virtual reading on Tuesday, March 9th at 7:00 pm. Register here. Get to know Regie and Chad with our Six Questions.
Regie: My muse, a lover, a secret crush, a celebrity crush and most recently, Filipino mythological deities and monsters.–Chad: Quite a few people from my past show up, as most of my writing is autobiographical. I have a collection coming out (Little Black Book) that’s entirely made up of poems about people from my past who were formative to my identity and sexuality, usually (but not always) failed romances. The poems are just titled with a first name, and I pointedly didn’t change any of the names, so that should make some waves when it comes out! I also wrote a collection (Two-Step Charlie) about the death of my father, who was an alcoholic Vietnam veteran. I wanted to chronicle the entire experience, from his terminal cancer diagnosis to his treatment, to taking care of him in hospice, to his inevitable passing, and beyond.
Regie: H Street NE, DC outside of Wydown, at Maketto in their back yard, on my patio, on an airplane, train, hotel room.–Chad: I’d like to say at some sort of antique desk with a feather quill or vintage typewriter, but quite honestly, I write at a cluttered table that was once a dining room table, but which is so covered in books and papers it’s utterly unrecognizable. My laptop is at one edge with a tiny area cleaned off for it, and otherwise my back is to a windowsill overloaded with potted plants.
Regie: I read a lot of poems online, watch poetry performances, write with my students and write in a notebook I carry with me everywhere. Then I might have a can of Mango Truly Seltzer or iced green tea and transfer my journal writing on my Google Chromebook.–Chad: I’m rarely consistent, but I always do an extensive amount of research before and while I write. It’s not unusual for me to have dozens of browser tabs open on my computer and phone to be reading all manner of information I might need to write. I also write a lot of found poetry (I’m particularly fond of the cento), and whenever I do that I always have a lot of research open for quotes, but I like to scrawl things out in a physical journal, since it feels more like I’m piecing together a puzzle that way. Odd, I suppose, but it works for me.
Regie: I will send to Soo-Jin Lee, a playwright, Drew Pisarra, a writer in Manhattan, and an ex Guillermo Filice Castro.–Chad: I tend to read things out loud to myself, but since my Maine Coon, Jabbers (short for Jabberwocky) is always by my side, I suppose he gets first read. I do also have a wonderful writing group (shout out to Montco WordShop!) who meet once a month who are always supportive and helpful with my work, and (hopefully) they can say the same about me.
Regie: I always turn to the poetry in The Language of Saxophones by Kamou Daaood & Crossing With The Light by Dwight Okita–Chad: Recent obsessions include: Madeline Miller’s Circe and The Song of Achilles, Amal El-Mohtar and Max Gladstone’s This is How You Lose the Time War, and absolutely anything by N.K. Jemisin, but particularly her speculative short fiction in How Long Till Black Future Month.
Regie: The Poetry Slam Finals in 1994, San Francisco. I was on the New York Team with Maggie Estepp, Tracie Morris, Hal Sirowitz versus the Boston Team with Patricia Smith, Lisa King, Craig Hickman.–Chad: Performances with No River Twice, my poetry and improv performance group, are always memorable, since no two readings are ever the same. I’ve read at big venues with hundreds of people and very tiny ones where only the performers showed up, yet still had a lot of fun reading to one another. I’ve enjoyed them all, but my most notable reading was probably at the Library of Congress.